A generation (or two) before "True Blood," "Vampire Diaries" and even "Buffy the Vampire Slayer," little children ran home from school to watch a soap opera -- a vampire soap opera, whose theme music still echoes in the minds of those damaged, gothic-minded tykes. It was an age without TiVo, so they had to be home by 4, lest they miss the latest weird goings-on in the accursed village of Collinsport.
"Dark Shadows" was a phenomenon -- the first soap to go supernatural, a daytime dose of dread and camp. Star Jonathan Frid -- the Canadian actor who died last month, at 87 -- became a household name as Barnabas Collins, the resident ghoul of the Collinwood mansion. The show lasted from 1966 to 1971 but left a lasting impression -- notably, on Tim Burton and Johnny Depp, whose resurrected "Dark Shadows" opened in theaters Friday.
Starring Depp, Eva Green, Helena Bonham Carter, Chloë Grace Moretz, Michelle Pfeiffer, Jonny Lee Miller and Jackie Earle Haley, "Dark Shadows" opens, fittingly, in 1972, with the discovery of Barnabas' ironclad coffin in a construction pit outside Collinsport. Freed from his casket and chains, Barnabas promptly kills everyone in sight and makes his way back to Collinwood, where he reunites with the surprised caretaker Willie (Haley). In the original series, he had awakened the slumbering vampire Barnabas while looking for the family jewels beneath the mansion (all this gets revived in the remake).
As he did in the TV series, Barnabas passes himself off as the family's strange relation from England -- although there are some who know the truth, most critically Angelique Bouchard (Green), Collinsport's leading citizen, spurned lover and the witch who originally turned Barnabas into a vampire and buried him alive, two centuries earlier (which might contradict the TV show, but so it goes).
For Green, Angelique is just the latest in a career of playing extreme women -- from the erotic provocateur of Bernardo Bertolucci's "The Dreamers" (2003) to the mad schoolteacher of "Cracks" (2011) -- though she was initially afraid Angelique might be too far over-the-top.
"I knew Johnny would be going big, and what he does is this kind of German Expressionist thing," she said. "As his enemy, I knew I'd have to be his equal so it was a concern -- but also a great opportunity to be able to show this side of myself, really cuckoo."
She also sees the movie as being in line with Burton's work, which has always been about societal outliers, be they Batman, Beetlejuice, Ed Wood or Willie Wonka.
"He's always about the outcast, the misunderstood outsider," Green said of her director. "And Angelique is misunderstand, too. She's not just a cartoon character."