The 'subversive' appeal of 'Fela!'

Co-creator/director/choreographer Bill T. Jones talks about his musical, which will be broadcast Thursday at the Guthrie.

January 22, 2011 at 7:43PM
Bill T. Jones poses on the red carpet on arrival at a dinner held at the State Department honoring the recipients of the Kennedy Center Honors, in Washington, on Saturday, Dec. 4, 2010. The honorees are Jones, Merle Haggard, Jerry Herman, Paul McCartney, and Oprah Winfrey.
Bill T. Jones poses on the red carpet on arrival at a dinner held at the State Department honoring the recipients of the Kennedy Center Honors, in Washington, on Saturday, Dec. 4, 2010. The honorees are Jones, Merle Haggard, Jerry Herman, Paul McCartney, and Oprah Winfrey. (Associated Press - Ap/The Minnesota Star Tribune)

The big-name producers -- Jay-Z, Will Smith and Jada Pinkett-Smith -- brought cachet. Celebrated choreographer Bill T. Jones brought credibility. Together, they hoped their reputations would bring crowds to hear the invigorating Afro-beat music of Fela Kuti, the Bob Marley of Nigeria.

"Fela!" tells his story -- complete with 27 wives, government persecution, imprisonment and the fatal abuse of his mother by soldiers -- via musical performance and multimedia.

"We tried to be as subversive as we could," said Jones. "We used a lot of nonlinear thinking." That includes having his troupe of 20-plus African dancers prance through the audience while Fela invites theatergoers to join in.

Fully capturing that experience will be a challenge for the high-definition telecast of the show from London's West End that can be seen Thursday at the Guthrie Theater. But audiences don't have much of a choice. The Broadway production closed Jan. 2 after a 13-month run that won three Tonys and rave reviews. While a tour is planned, the first stop is Lagos, Nigeria.

Tom Hoch, president of the Hennepin Theatre Trust, said: "Should it tour domestically, we would certainly be pleased to present 'Fela!' I loved the show."

JON BREAM

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