Visually, they look like members of the Czech Republic swimming team headed to an Olympic meet, with their matching shaved heads and track-suit jackets. Musically, they sound like a spaghetti western soundtrack for a modern shoot-'em-up movie, one filled with manic car chases set in a gritty, urban wasteland.
Artistically, the Blind Shake only seems to get better and better — which might be the most unusual thing about the incomparable power trio.
"We've never had huge success, but things just seem to keep progressing for us in cool, little ways," concurred Jim Blaha, one of the two brothers who play guitar in the decade-old band.
The latest sign of progress for Blaha, his younger brother Mike and drummer Dave Roper is a new deal with Castle Face Records, a San Francisco area label co-helmed by John Dwyer of the beloved experimental band Thee Oh Sees. Dwyer caught the Blind Shake's always-kicking, viscerally paced live show at a Pitchfork Music Fest after-party last year in Chicago, and at South by Southwest in March, where he wooed them for the label.
Castle Face will release the trio's latest album, "Key to a False Door," on Sept. 17, then the band will hit the road to play the garage-rock meet-up Goner Fest in Memphis and then open for Thee Oh Sees' fall tour. First, though, comes a hometown release party at the Turf Club on Saturday.
"We tried to be more melodic on this record," Jim said, which sounded like he was kidding. "At least by our standards," he added.
"Key to a False Door" indeed boasts more discernible song structures and stick-in-your-head lines than past Blind Shake records, which have included collaborations with Sub Pop-rediscovered '60s guitar-roar pioneer Michael Yonkers. But let's be clear: These guys are still about as far away from pop music as it gets, between Roper's jackhammering rhythms and the Blahas' furious, gut-punching guitar work.
As on the previous three full-length records, one of the keys to "False Door's" distinctive sound is the fact that there's no bassist in the band. Mike Blaha plays a baritone guitar — which falls halfway between a regular guitar and a bass in low-end sound. That's where the group's vaguely spaghetti western-ish sound comes from. The Blahas first got turned on to baritone guitars by the Am/Rep band Vaz (an offshoot of Hammerhead).