POP/ROCK Music lovers know that Matisyahu is a Hasidic Jew, so he won't perform after sundown on Fridays. But sunset isn't until 9 p.m., so the highly entertaining, thought-provoking, reggae-loving rapper will start his show early tonight. (7:15 p.m. today Weesner Family Amphitheater, Minnesota Zoo, $34.) (J.B.)
Fresh from opening dates with fellow one-name Canadian singer Feist, Hayden sounds like a happier, laid-back Nick Drake. His new album, "In Town & Field," is full of sweetly sung, softly played ballads and story songs that are light on the ears, but heavy with imagery and poetry. He is touring with Minneapolis' own hip indie balladeer, Haley Bonar, who just released her fourth album, "Big Star." (8 p.m. today, Cedar Cultural Center. All ages. $13-$15.) (C.R.)
Best known for his long stint in Willie & the Bees and more recently with singer Bruce Henry, guitarist/songwriter Joe Demko re-emerges as a latter-day romantic crooner on the CD "Endings and Beginnings," produced by another longtime scene pro, Scott (Scooter) Nelson, who also played drums. Don't expect driving funk or classic swing; this is jazzy pop a la Kenny Rankin or Harry Connick Jr. -- martini-sipping sounds for a quiet Vegas lounge, away from all the neon. (9 p.m. today, Hat Trick Lounge. $5.) (T.S.)
Natasha Bedingfield has scored with fans of "The Hills" (her "Unwritten" is the show's theme song and her current hit "Pocketful of Sunshine" was used for this year's finale) and the laddies (she's No. 72 on Maxim's Hot 100 list). The British songbird has a pleasing voice, affable presence and sunny if generic material that suggests Colbie Caillat with soul. Opening are the Veronicas, twin punk sisters from Australia. (6 p.m. Sat., Fine Line, $22-$25.) (J.B.)
After 2005's Memphis-grooved "Master of Disaster," John Hiatt has stripped down for "Same Old Man," another stellar rootsy collection of well-crafted tunes that are by turns warmly sentimental and mordantly funny. Highlights include the plain-spoken "Ride My Pony," the loving "Cherry Red" and "Old Days," wherein Hiatt humorously relives early gigs with the likes of Mose Allison, John Lee Hooker and Gatemouth Brown. (8 p.m. Sat., Pantages Theatre, $47.50.) (J.B.)
Since the untimely demise of her beloved Selby Tigers, local punk scenester Arzu Gokcen has fronted a couple of other acts (So Fox, Half-Fiction) that were as short-lived as some of her hair styles. She seems to be sticking to her new one, though, and for good reason. The three-quarters-female Strut & Shock, featuring former Bleeding Hickeys guitarist Christina Schmitt and members of Spider Fighter and the Deaf, is a refreshingly classic-styled punk band with a heavy base of '60s garage-rock and a little doo-wop-ish candy coating. They're celebrating their seven-song debut, "Damn You Devil, Let Me Go," which sounds as devilish and tormented as the title suggests. France Has the Bomb, Baby Guts and Black Audience open. (10 p.m. Sat., Hexagon Bar. Free.) (C.R.)
A wellspring of roots/Americana music, Bill Geezy has produced another scraggly gem: the mandolin- and dobro-heavy EP "Exit Wounds." As one might gather, it's not exactly a party album, but it confirms Geezy's growing rep as a songwriter who at his best is reminiscent of John Prine. "I've never been a hobo, but sometimes a bum," he sings on the instant country classic "100 Times a Day," which is jaunty and upbeat compared with the devastating "Sweet Evangeline," a sordid story song of child sex abuse that ends in murder. (8 p.m. Sat., Acadia Cafe. $5.) (T.S.)
Pittsburgh jam band Rusted Root still boasts three original members from its 1990 beginnings. But a key new player, guitarist Colter Harper, has brought more jazz and African elements to the group's world-beat sound. Pete and J, a sweet-voiced duo that sounds like a fresh-faced Simon & Garfunkel, open. (7:30 p.m. Sun., Minnesota Zoo, $39) (J.B.)