POP/ROCK
Quintessential New York rocker Garland Jeffreys has painted his masterpiece more than once, but 2011's "The King of In Between," his first U.S. studio album in 19 years, is as impressive a late-career masterwork as anything by Johnny Cash, Bob Dylan or Paul Simon. A discussion of politics, mortality and life, it's a heady mix of roots rock, reggae and blues. Jeffreys is touring in an acoustic duo. Read an interview at startribune.com/music. (8 p.m. Fri., Ritz Theater, $27-$30.) Jon Bream
After years as a violin maker, folk-blues-bluegrass mainstay David Bromberg returned to performing and recording five years ago. His second comeback album, 2011's "Use Me," is his most ambitious effort in a 40-year career. He asked some favorite songwriters -- including Levon Helm, Dr. John, Keb' Mo' and John Hiatt -- to pen a tune for him. The results are eclectic and intriguing, from Los Lobos' Tex-Mex waltz "The Long Goodbye" to the sassy funk of Widespread Panic's "Old Neighborhood." Always an impressive picker, Bromberg also vocalizes with a certain world-weary panache, and he enlisted Linda Ronstadt to help on "It's Just a Matter of Time." Bromberg is traveling with his bluegrassy quartet. Minnesota bluesman Tom Feldmann opens. (8 p.m. Fri., Cedar, $30-$40.) Bream
In the Twin Cities, there have been a lot of woulda, coulda, shoulda singers and bands. My vote for the best rock singer who should've found a wider audience is Tina Schlieske. Maybe Tina & the B-Sides weren't everybody's cup of tea, but any rock fan who loves Elvis, the Stones and Aretha will adore Tina's alter ego, Lola and the Red Hots. And you'll be amazed by Lola's version of "Maybe I'm Amazed." Promise. (8:30 p.m. Fri., Cabooze, $12-$15.) Bream
There's a lot of black and very little church in Black Church Service, a snaky, grinding, organ-deepened quartet with libido-wagging traces of "Aftermath"-era Stones, Muddy Waters and Ted Nugent. After making a strong impression at the Replacements tribute in November, the Twin Cities rockers are touting a self-titled debut EP, highlighted by the howler opener, "Testimony," and one mighty stranglehold of a seven-minute epic, "Delirious." Fellow blues-baked power mongers Poverty Hash open with all-female surf-punk quartet L'Assassins. (10 p.m. Sat., 7th Street Entry. $5.) Chris Riemenschneider
It's hard to beat the convenience of an all-in-one record shop and live music venue, and the Triple Rock will be that for one night thanks to Hymie's Record Road Show, part of the club's Schlitz Kickin' Country Series. The crew from the East Lake vinyl mecca will bring crates of LPs to sell and spin between acts. Onstage, look for multiple generations of master pickers, starting early with West Bank vets Spider John Koerner and Papa John Kolstad and continuing with brotherly country crooners the Cactus Blossoms, acoustic-blues stalwarts the Brass Kings and young Gram Parsons tribute band the Flying Dorito Brothers, featuring members of Night Moves. (6 p.m. Sat., Triple Rock. $6.) Riemenschneider
Partly a benefit for a cancer victim and partly a celebration of two people who helped make the Turf Club a cornerstone of the Twin Cities music scene, the Rock for the Rules concert offers nine acts featured on an online charity album of the same name (available via Bandcamp.com). They include the Tisdales, Little Man, Molly Maher, Jennifer Markey, Crossing Guards and the most poorly named all-star band since Chickenfoot, the Crotch Rockets, with Eric Kassel, Kent Militzer, Heath Henjum and Dave Wiegart. All came up through the Turf under the tutelage and support of Rob and Leah Rule, the latter of whom resumed chemotherapy this month but still plans to take the stage with the Mammy Nuns. Also look for a special appearance by Slim Dunlap, who reportedly wrote a song for Leah. (8 p.m. Sat., Amsterdam Bar & Hall. No cover, but donations accepted.) Riemenschneider
If you don't know who Georgia soul singer Mickey Murray is, then a) you're in the 99 percent majority and b) you probably have not yet caught on to the cult of Secret Stash Records. The Minneapolis-based label finds obscure, out-of-print albums to reissue on vinyl to hardcore record collectors around the globe. One of its best discoveries is Murray's 1971 record "People Are Together," which he recorded for James Brown's old label King as the heir apparent to the Godfather of Soul. Alas, racial tension and record-biz fiascoes sidelined the album. The Secret Stash staff likes Murray's work so much that they're bringing him out of semi-retirement to perform. Read about Secret Stash's semi-secretive success story in Saturday's Variety section. (8 p.m. Sat., Cedar Cultural Center. All ages. $13-$15.) Riemenschneider