POP/ROCK Fresh from the mammoth Coachella festival, Duran Duran returns to its club roots to relive the 1980s. At least, that's what Simon LeBon and his guylinered pals seem to be doing on the new "All You Need Is Now." Even though it was helmed by hip producer Mark Ronson (Amy Winehouse, Adele), it sure sounds like "Rio Part II." Look for a review in Sunday's paper. (8 p.m. Fri., Epic. Sold out.) Jon Bream
Vocalist extraordinaire Bobby McFerrin is not appearing with the Minnesota Orchestra or the St. Paul Chamber Orchestra, for which he was creative chair in the 1990s. He's doing a solo a cappella concert. Don't worry, he'll fill the spacious hall with how-did-he-do-that vocalizing. Wonder if he'll offer anything from last year's marvelous "Vocabularies," an ambitious and eclectic project featuring more than 50 voices. (8 p.m. Fri., Orchestra Hall, $30-$80.) Bream
Darlings of PBS, Celtic Woman returns for a triple header of Gaelic songs and harmony-kissed pop covers (including Sting's "Fields of Gold," Billy Joel's "Goodnight My Angel" and Phil Collins' "You'll Be in My Heart"). The fresh-faced ensemble has been trimmed to three singers, including newcomer Lisa Lambe, who comes from a theater background and such musicals as "Sweeney Todd," and fiddler Mairead Nesbitt. (8 p.m. Fri. & 2 & 8 p.m. Sat., State Theatre, $43-$72.) Bream
TV on the Radio had to cancel its two-night stand at First Avenue this weekend after longtime bassist and keyboardist Gerard Smith died Wednesday of lung cancer. The club is offering refunds, but hopes to reschedule in late summer or fall.
Heretofore a psychedelic garage-rock band that has gotten better without actually leaving the garage, the Black Lips rolled the dice on producer Mark Ronson to helm their next record. We'll have to wait until June to hear the results, but in the meantime the Georgia quartet is making the safe bet of previewing new songs on the road, as their rowdy live shows are always a hit with fans still craving '60s-baked guitar rock. Vivian Girls open. (9 p.m. Sat., Varsity Theater. 18 & older. $15.) Riemenschneider
Swedish singer/guitarist Jose Gonzalez has become something of an indie-rock star in the States, thanks to his two mesmerizing minimalist folk-pop albums. But now he's resumed work with Junip, his Swedish drums/keyboards/guitar trio that had been on hold for five years. Last fall, Junip issued its first full-length, "Fields," an atmospheric work that melds folk, trip-hop and Krautrock. Acrylics open. (7:30 p.m. Mon., Cedar, $15-$18.) Bream
Pains of Being Pure at Heart have one of the widest ratios of physical scrawniness vs. musical heft in indie-rockdom. The wee-sized New York quintet with the wall of fuzzy guitars and bursting pop melodies finally makes it to town for its local debut following the release of its second album, "Belong," which features production and mixing by Flood and My Bloody Valentine's ace sound guru Alan Moulder. And yes, the band is good enough to merit that kind of support. Twin Shadows open. (9 p.m. Mon., Triple Rock. 18 & older. $14.) Riemenschneider
Joan as Police Woman has an impressive list of collaborations under her belt, working with the likes of Antony and the Johnsons, Lou Reed and Rufus Wainwright. The real-life Joan Wasser just released her third solo album, "The Deep Field," a collection of soulful pop songs highlighted by the sauntering, organ-laced lead single "The Magic." Although the rest of the album fails to live up to the lofty standards set by the single, Wasser's unwavering, jazzy swagger carries the remaining nine tracks. (8 p.m. Tue., Cedar Cultural Center. All ages. $12.) Michael Rietmulder