Take the 18 bus down Nicollet Avenue, wander your way through downtown, climb the escalator into Target Center, and bend your ear past the 120 or so decibels of pumped in crowd noise and you can hear it again, the joyous collective exaltation.
On Thursday night, as the Timberwolves faced the Warriors in Minneapolis, it came at various moments.
It sounded like an anticipated exhale after Steph Curry — legs never stopping, like a mouse in a maze — caught a pass and rose for three as the 1,600 fans in the stadium held their breath, fully knowing that the ball would land in the net.
It sounded like the 'how did he do that?' applause for a magician after Ricky Rubio drove to the left elbow, somehow noticed D'Angelo Russell slip through the lane and tossed him a gentle alley-oop for a layup.
And it sounded like raw energy when Karl-Anthony Towns stepped left at the top of the key, crossed right and extended his arms out over Andrew Wiggins for an and-one dunk.
The sound of live sports, of people experiencing the world together, has been sorely missed. The crowd looked minuscule strolling into the gigantic, wide open arena 60 minutes before tip-off, when Curry was in the middle of his pregame shooting routine.
That routine is so unique — like a solo game of H-O-R-S-E extended to 1,000 letters — that fans used to crowd into Warriors games hours early just to watch it.
On Thursday, so many of the fans at Target Center were little kids in Curry jerseys, and it was a wonderful reminder of his one-of-a-kind draw. He is a lithe, inexhaustible super hero who launches shots so high that you can contemplate what it means to be alive during the course of the arc.