Golden weather, tastier food and the most adventurous musical lineup in its 27 years -- it was enough to make the opening day of the newly reflavored Taste of Minnesota well worth the $20-$30 admission fee.
At least for the 2,500 or so sun-soaking work-skippers who showed up midday Friday to Harriet Island in downtown St. Paul, the eclectic mix of indie rock, Americana and blues music definitely came off as a different Taste.
"This isn't just a better Taste of Minnesota, it's one of the best days of music this summer," raved Theo Fuller, 23, of Minneapolis, following a blaring set by Duluth power-trio Retribution Gospel Choir.
Before RGC came a charming acoustic set by twangy Nashville/New York songwriter Justin Townes Earle. After RGC, hometown legend Willie Murphy played right above the Mississippi River on the new, picturesque Red House Records/KFAI-FM roots music stage. For people into rootsy or edgy or music, it was indeed a day to remember. Harmonious Los Angeles rock quartet Dawes -- a favorite on opening-day radio sponsor the Current 89.3 -- had a tentful of hip fans singing along gospel-style to "When My Time Comes," while Earle prompted another singalong by covering the Replacements' "Can't Hardly Wait."
For the general corn-dog-eating masses that came to Taste to hang out in past years, it might've been hard to forget or forgive the new entry fees -- up from $10 last year, after years when it was a free event. Landing on a workday no doubt hurt, but attendance was still significantly down from past years of Taste. At first it was, anyway.
Thousands more teens and twentysomethings started streaming in after 5 p.m., anticipating the headlining sets by Minneapolis' hip-hop stars Atmosphere and P.O.S. It was the first time a rap act headlined the St. Paul festival.
That it happened to be local rappers, and about 10,000 hometown fans showed up to see them, was a true reboot of the Taste of Minnesota brand name.
Both Atmosphere (duo Slug and Ant) and P.O.S. (rapper Stef Alexander) defied the usual rapper stereotypes that kept hip-hop out of prior Taste lineups. There were no songs about bling or violence or B-worded women, and each act enlisted backing bands instead of pre-recorded backing tracks. P.O.S. might enlist new musicians next time around, though.