On the one hand we know too much about Anne Hathaway — the movie star.
On the other, we don't know much about Anne Hathaway — Shakespeare's wife. And we still don't after watching playwright Vern Thiessen's "Shakespeare's Will," a one-woman show featuring Anne on the day of the bard's funeral.
Cathleen Fuller plays the role in Bain Boehlke's production at the Jungle Theater. Her performance cannot overcome the script's shortcomings.
The play is set on the day that Shakespeare has returned to Stratford on Avon to be buried. He has spent most of his life in the London theater. While he was away, Anne stayed home and raised their three children.
Anne resists opening and reading Will's will, intended to disburse his worldly treasure. Is she worried to see what it will say? Is she nervous in anticipation? Fuller and Boehlke give us few clues, other than a dour attitude that seems to anticipate bad news.
In the meantime, she maunders about their past.
Thiessen does not so much investigate the historical figure as imagine a modern interpretation for this Elizabethan woman.
He uses the marriage of Ann and Will Shakespeare to spin a poetic ode that does not seem to have a particular point. "Shakespeare's Will" is a work of style, an acting exercise of little substance with words intended to sound good in the same sentence. So we have Anne summoning the sea, the shore, the slap of water, the sunshine, the white-toothed smile of the surf.