Like a lot of us, Shá Cage often takes work home. The Twin Cities actor likes researching her characters, getting into their skin, sometimes practicing around the house. Still, she tries to shield her two young sons and her husband, the actor, director and playwright E.G. Bailey, from any negative fallout.
Lately, Cage has been struggling with what it means to go to war. Cage plays a fighter pilot in Frank Theatre's production of George Brant's "Grounded." The new, much-produced solo show, which opens Friday at Playwrights' Center in Minneapolis, centers on an Air Force pilot who gets pregnant, decides to have the child and, after returning to duty, pilots drones remotely from a trailer in the Nevada desert. She hunts an Osama bin Laden-like figure 8,000 miles away.
"In the past, people would go to war and come home on leave once or twice a year," said Cage. "But my character, she's going to war in the morning and coming home to family that same day. There's no space there for decompression. And even though she has clarity about the bad guys she has to bomb, it's tough. These drone pilots suffer the same PTSD as those in the war zones."
Showing that mental challenge was one of the aims the playwright set out to show.
"We think of drone pilots being very safe, like playing video games at home," said Brant, who lives in Cleveland. "But the fact is, operating drones can cause serious mental damage, and on the same scale as those involved in quote-unquote, actual war."
Brant did not initially intend to write a solo show with "Grounded," four years ago.
"I wanted to get at the home-war contrast, but was stuck," he said. "Then, when I first thought of one person doing it, I got a rush of ideas. With one person, you could be home or move forward three years with just a word. The play gets to move at its own intense speed in a way that would be harder with many people onstage."
The play premiered in 2012 and has been staged in England and Australia, where a national tour is planned. There are some 15 productions this season in the United States, almost unheard of for a non-Broadway work.