When Sandra Allen was studying nonfiction writing at the University of Iowa, her Uncle Bob sent her the typescript of his autobiography. This would be her "crazy" Uncle Bob, a chain-smoking, good-natured, long-haired oddball who lived a hermit existence in California. The autobiography was typed all in caps, its curled pages stinking of cigarette smoke.
The spelling was haphazard and the prose almost unreadable, with no paragraph breaks. "Each page was a wall of text," Allen writes in "A Kind of Mirraculas Paradise," her memoir of her uncle's life.
She did not know if the manuscript was truthful, delusional or a pack of lies; it was pockmarked with racist and homophobic comments and disturbing confessions, and she had no idea what to do with it. So she stuffed it in a drawer and ignored her uncle's phone calls.
Eventually, though, she began to read, using it as raw material for essays and then this book. But she does not, or cannot, articulate why.
"Why did I choose to write about Bob? What interested me so much about his story?" she writes. "I've never had good answers to these questions."
This is ultimately the book's weakness — although Allen translates Bob's prose, researches his life and includes a lot of information about mental illness, the book lacks a strong central point.
And yet in its own way it is enthralling, offering a view from the inside of life with mental illness.
As a teenager, Bob was diagnosed as paranoid schizophrenic. He was in and out of psychiatric hospitals for many years, going off his meds frequently, cheerfully and for all kinds of reasons. (He forgot to take them. Or God said he no longer needed them.)