Peter Hansen barely had time to shake off his Irish accent and get back on stage in a door-slamming French farce.
Hansen's Gremlin Theatre opens "An Absolute Turkey" at its St. Paul digs on Friday, less than two weeks after he closed "Sea Marks."
The tight turnaround arose from a scheduling snafu and Hansen's desire to produce four Gremlin shows this season.
"It's a little tough," Hansen said. "I've worked on other shows that were close together, but from a time-consuming point of view, you're virtually rehearsing all the time. But you've got to work."
Hansen has kept busy this season -- both at his storefront theater along University Avenue and in other venues large and small. In November, he played the male lead in Gremlin's intense production of "After Miss Julie" in the servants kitchen at the James J. Hill House. In January, he was on the Guthrie thrust stage in "Cat on a Hot Tin Roof." Then he teamed up with Stacia Rice for "Sea Marks," a charming little two-hander at Gremlin's home space. He has let up on the throttle for "Turkey" and said he'll play a smaller role.
"It's really just for fun," he said.
Gremlin has been in its current theater since moving out of downtown St. Paul in 2008. At 99 seats, it is one of the most intimate houses in town, but Hansen has worked steadily to improve Gremlin's quality. Lanford Wilson's incendiary drama "Burn This," which fell victim to consecutive weekend snowstorms in December 2010, nonetheless drew enough attention that Hansen won Ivey recognition for his performance. In "After Miss Julie," there was a fierce heat between Hansen and Anna Sundberg (not that Amanda Whisner was any slouch).
Hansen also has been eager to get new plays into the space, such as inviting a co-production with playwright Alan Berks for "How to Cheat" last winter.