The rock world lit up a couple of months ago when Tom Gabel, frontman of the politico-punk band Against Me!, bravely revealed to Rolling Stone that he has secretly been living a transgender lifestyle and plans on living publicly as a woman.
Heidi Barton Stink, for one, seemed blasé about the news.
"It's hard to be transgender, period, but try being a transgender activist and rapper," said the artist legally known as Heidi Foster, 29, who fits all of the aforementioned roles.
A musical genre renowned for its sexist and sometimes homophobic overtones, hip-hop has become Heidi's unlikely platform of choice for spreading the word on the trials of being a transgender woman. Even in the liberal Twin Cities indie-rap scene, though, "it's still often hard for me to get taken seriously," she said.
It's getting a little easier since the release of her second album, "A Charming Gut," a politically fiery yet deeply funky and playful collection that could be filed between Eyedea & Abilities and Doomtree in the local record bins. Her work also brings to mind Brother Ali, whose rhymes about being albino have taken hip-hop's strong sense of self-identity to new heights.
Being a transgender woman not only puts a unique skew on Heidi's music, but it made her a strong voice for gay rights, a role she'll back up with appearances at numerous Twin Cities Pride events this week, including the nightly Queertopia showcases continuing through Saturday at Intermedia Arts Center (she goes on around 8:30 p.m.).
Consider the bleak reality Heidi raps about in the anti-violence track "Direct Action (Do-Over)": "Something like five times a week, a trans person is murdered, you see / We've been viewed as less than human / Stop that, let's lower the stats."
However, most of her tracks are more light-hearted and universal. With a nasal, slightly bratty voice and fast delivery style, she could be mistaken for Eyedea as she snarkily raps about women's body-image issues in "Celebrity Skin" ("As an outsider inside these bodies today / I can't tell you what to think, but these standards are fake").