Pick Six: Vampire Weekend, Jimmy Cliff, Replacements, Alice Russell, Ginger Baker, more

October 18, 2013 at 8:15PM
In a Nov. 9, 2011, file photo Linda Ronstadt accepts the Life Time Achievement award at the Latin Recording Academy Lifetime Achievement Award and Trustees Award ceremony in Las Vegas. In an AARP Magazine article posted online Friday, Aug. 23, 2013, Ronstadt says that she was diagnosed with Parkinson's disease and "can't sing a note."
In a Nov. 9, 2011, file photo Linda Ronstadt accepts the Life Time Achievement award at the Latin Recording Academy Lifetime Achievement Award and Trustees Award ceremony in Las Vegas. (Colleen Kelly — ASSOCIATED PRESS - AP/The Minnesota Star Tribune)

A half-dozen cool things in music, from two points of view:

Vampire Weekend, Hollywood Bowl. It was a gorgeous autumn night in Los Angeles. As wine corks popped, Beirut warmed up the sold-out bowl of 18,000 before the headliners' fun, energy-soaked, electrified set.

Gwar cover of Billy Ocean's "Get Outta My Dreams, Get Into My Car" for A.V. Club. Gwar delivered a grindcore version of the 1980s cheese-ball R&B hit that for some reason devolves into the Who's "Baba O'Riley" brilliantly.

Jimmy Cliff, First Avenue. The 65-year-old reggae veteran delivered an unforgettable two-hour set that covered the history of Jamaican music from its early roots on up to his excellent latest release, "Rebirth."

Danny Sigelman, Mpls.

Contribute: popmusic@startribune.com

The Replacements, Linda Ronstadt and Hall & Oates nominated for first time for Rock Hall of Fame. Their first appearance on the ballot is overdue. Ronstadt and the 'Mats will get my vote, for sure, along with Kiss and Nirvana. Still uncertain of my fifth choice.

Alice Russell, the Cedar. This little-known U.K. soul singer deserves to be as well-known here as Adele and Amy Winehouse. Musically, this powerful soul shouter, who also showed a lovely soft voice, came across as Adele channeling Donna Summer in the disco funk era.

Ginger Baker's Jazz Confusion, the Dakota. The British rock drum hero was the big attraction, but the most rewarding sounds came from sax man Pee Wee Ellis with his warm, even tone.

Jon Bream, Star Tribune

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