Our five favs for the week

Before Cormac McCarthy's novels were Pulitzer Prize winners and Oscar-winning films, the old master penned what some critics call the most violent novel ever written, "Blood Meridian: Or the Evening Redness in the West."

November 13, 2010 at 7:01PM
Sarah Agnew, Robert O. Berdahl, Luverne Seifert and Jim Lichtscheidl in The Guthrie Theater production of The 39 Steps On the McGuire Proscenium Stage, October 30 - December 19, 2010 Adapted by Patrick Barlow From the novel by John Buchan From the movie of Alfred Hitchcock Licensed by ITV Global Entertainment Limited and an original concept by Simon Corble and Nobby Dimon Cast: Richard Hannay - Robert O. Berdahl Annabella Schmidt/Margaret/Pamela - Sarah Agnew Clown - Jim Lichtscheidl Clown - Luv
Sarah Agnew, Robert O. Berdahl, Luverne Seifert and Jim Lichtscheidl in The Guthrie Theater production of The 39 Steps On the McGuire Proscenium Stage, October 30 - December 19, 2010 Adapted by Patrick Barlow From the novel by John Buchan From the movie of Alfred Hitchcock Licensed by ITV Global Entertainment Limited and an original concept by Simon Corble and Nobby Dimon Cast: Richard Hannay - Robert O. Berdahl Annabella Schmidt/Margaret/Pamela - Sarah Agnew Clown - Jim Lichtscheidl Clown - Luverne Seifert Artistic Staff: Director - Joel Sass Set Designer - Richard Hoover Costume Designer - Amelia Cheever Lighting Designer - Barry Browning Sound Designer - Reid Rejsa Shadow Puppetry - Michael Sommers Dramaturg - Carla Steen Voice and Dialect Coach - Lucinda Holshue Movement - Marcela Lorca Stage Manager - Martha Kulig Assistant Stage Manager - Justin Hossle Assistant Director - Julie Kurtz (Photo By Michal Daniel/The Minnesota Star Tribune)

1 Before Cormac McCarthy's novels were Pulitzer Prize winners ("The Road") and Oscar-winning films ("No Country for Old Men"), the old master penned what some critics call the most violent novel ever written. But "Blood Meridian: Or the Evening Redness in the West" delivered its brutal vision of the 1850s borderlands with supreme, elegant prose. The new 25th-anniversary hardcover edition restores the glowing red dust jacket, emblematic of the bloody carnage captured inside. The reissue is a good excuse to revisit this classic tale of a young gunslinger caught in a fateful duel with the Judge, one of literature's more memorable -- and disturbing -- characters.

2 After spending a half-week in Los Angeles last week, we'll be spending more of our time at home tuned in to www.KCRW.com, the city's hipster nonprofit station. We would never trade in the Current 89.3 FM and its great reverence for our local music scene (something L.A. in general seems to lack), but KCRW excels at spinning fascinating new world music, grungier punk-rock and less predictable alt-rock classics. Henry Rollins' show last Sunday was especially a kick.

3 Jim Lichtscheidl, Luverne Seifert and Sarah Agnew have been clowning around together for years, so it's fun to see them take their game to the big stage. The three play a gaggle of roles in the Guthrie Theater's production of "The 39 Steps." Robert O. Berdahl plays the hero and only the hero. The three amigos do everything else. It's worth a look.

4 Rarely has an album of outtakes sounded as exciting as Bruce Springsteen's "The Promise" (out Tuesday), which includes 21 songs written and recorded for 1978's "Darkness on the Edge of Town." You can hear echoes of Elvis, Orbison and Phil Spector. The Boss sings with his usual epic intensity, offering his versions of "Because the Night," "Fire" and "Rendezvous." This stuff sounds as potent today as it would have if it had been released 32 years ago.

5 "The Looney Tunes Treasury" by three-dimensional human Andrew Farago imagines what the history of the celebrated shorts would read like if it came from the characters themselves. The result: sassy, scrumptious essays from Bugs, Daffy, Porky and a dozen more. But that's not all, folks. The 121-page book also offers unexpected treasures like original script notes for "Rabbit Hood," a copy of Wile E. Coyote's Acme Catalog and a Tasmanian Devil mask.

about the writer

about the writer

Neal Justin

Critic / Reporter

Neal Justin is the pop-culture critic, covering how Minnesotans spend their entertainment time. He also reviews stand-up comedy. Justin previously served as TV and music critic for the paper. He is the co-founder of JCamp, a non-profit program for high-school journalists, and works on many fronts to further diversity in newsrooms.

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