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One morning a long time ago, during Christmas vacation from school, I was pretending to read “Oliver Twist” at Swaiman’s Barber Shop.
My mother would often conveniently deposit me there, where Mr. Swaiman allowed me to sit for an hour or two while she shopped and kibitzed along Plymouth Avenue. That was fine by me. Mom never knew that Swaiman’s was my safe haven.
Mr. Swaiman, a man of letters at heart, had fashioned his quaint barbershop to double as a veritable reading room, stocking it with several daily newspapers (English and Yiddish), weekly magazines and “fat books” for the grown-ups. For the kids, there were Classics Illustrated comics books. If you’re old enough, you might remember those: literary masterpieces in comic book form you could buy off the rack at Piggly Wiggly, neighborhood markets and drugstores for 15 cents and later, a quarter. Works like: “Don Quixote,” “Hamlet,” “Gulliver’s Travels,” “Huckleberry Finn,” “Alice in Wonderland,” “20,000 Leagues Under the Sea,” Uncle Tom’s Cabin,” “A Christmas Carol” and “Oliver Twist.”
As a third-grader, those comic books were nearly impossible for me to read. That’s because I was a poor — very poor — reader. At “read aloud circle,” most of my classmates were already reading “The Call of the Wild,” “Old Yeller” and “The Lion, the Witch and the Wardrobe.” But not me and a handful of others who were assigned to a hallway table with our skinny “Early Readers.” It was humiliating.
But not at Swaiman’s Barber Shop. There, I soothed my fragile ego by pretending to read just like real readers did: sliding an index finger across a page, tossing in an occasional chuckle or casual head nod. No one there knew the wiser. I was one of them.
On that particular morning, I was staring at an illustration in “Oliver Twist” depicting a gargantuan brute grabbing hold of the young orphan, Oliver. I still don’t know why, but just then, frustration and sorrow spilled over; I cried out something like, “I can’t read what’s happening!” and threw the comic onto the floor.