With a rhythm pulsing in simplicity, Audrey Baird made images blossom in a child's mind of the stormy world all around.
Baird, a St. Paul native and author of poetry for young readers whose Once Upon a Time magazine encouraged others to pursue their passion for creating children's literature, died May 29. She was 78 and died of complications from a fall a few weeks earlier.
Daughter Tracy Gripentrog said Tuesday that as she grew up in Mendota Heights with her brother and sister "we spent every weekend at the library. There was always a new story that she had to read to us. … Even on camping trips, always, always, always, stories were being read to us."
In an interview with an online trade newsletter a few years ago, Baird said her quarterly magazine existed to assure those trying to break into children's literature that "someone is out there feeling as they do, who understands, who's been through whatever they're experiencing and can hold out a hand, and maybe a cup of pretend camomile tea."
In many ways during its 19-year run until 2009, Once Upon a Time was a nurturer of fledgling children's writers and illustrators. Among her pearls of wisdom from the quarterly publication: "You cannot be a writer without first being a reader. This is carved in stone! Mind me! Don't argue, just do it. It's called preparation."
Veteran writers with numerous published titles also turned to Once Upon a Time, she continued, such as when she received a letter from one author fighting a dry spell.
"The writer … drew the shades, was overeating brownies, and had all but given up," Baird said. "Then our magazine came, and she saw she wasn't alone. She snapped up the shades, fed the rest of the brownies to the goat and started sending out [manuscripts] again."
Lisa Rowe Fraustino, an English professor at Eastern Connecticut State University and a contributing columnist to Once Upon a Time from 1993 to 2008, said Tuesday that Baird produced the magazine "as a labor of true love and always gave things her own personal touch. For instance, she wrote little notes to people within the pages of the magazine, as if it were a conversation."