pop/rock
Mark Ronson, "Uptown Special" (RCA)
Producer/composer Ronson goes beyond his most famous work — the warm, updated soul sound of Amy Winehouse — to find a fired-up sonic mix for his solo efforts. With its buoyant live-band blend of electro, disco, new wave and R&B, Ronson's 2010 "Record Collection" came close to perfection. "Uptown Special" goes just a little further. You have the lava-lamp psychedelia of its trippy tracks, with Tame Impala's Kevin Parker. You have a grittier groove, as in "Uptown Funk," with Bruno Mars. And you have nastier stuff, as in the James Brown-like "Feel Right," featuring the shouted-out soul of New Orleans' Mystikal.
Ronson's instrumentalists are a huge force in the album's melodic funk: Bowie guitarist Carlos Alomar, rhythm giants Steve Jordan and Willie Weeks, harmonica star Stevie Wonder. These guys lay an exquisite groundwork for Ronson, author-turned-lyricist Michael Chabon, and their team of interpretative singers. Parker adds a cottony sound to "Daffodils," and powerhouse Keyone Starr gives "I Can't Lose" a sensual dynamic not heard since the reign of Chaka Khan.
A.D. Amorosi, Philadelphia Inquirer
Soundtrack: Pop
Henry Mancini, "The Classic Soundtrack Collection" (Legacy)
Audiences familiar with the cocktail jazz of composer Mancini's theme for 1963's "The Pink Panther" will thrill to 18 full soundtracks, with accompanying rarities (e.g., Julie Andrews singing the "Nothing to Lose" samba of "The Party" rather than the film's co-star, Claudine Longet). Yes, the music on the nine CDs is often dated and corny. Yet, there's subtle musicality found on the dark, Euro-jazzy likes of "Two for the Road" and "Charade," the noir flourishes of "Experiment in Terror," and delicious, hokey romance of "Breakfast at Tiffany's."
A.D. Amorosi, Philadelphia Inquirer
Gospel
Various artists, "The Soul of Designer Records" (Big Legal Mess)