Peter Murlowski's Uncle Isidore was eccentric. In 1959, he asked his brother, Henry Murlowski (Peter's father), to build him a reproduction of a 1761 saltbox Colonial in New Brighton, nestled among the ramblers and split-levels.
Over the years, Isidore, an antiques dealer, put a unique, Euro-style stamp on his home. He added a stunning sitting room covered with 250-year-old dark French paneling. For his lavish parties, he built a 14-foot-tall grand ballroom and filled it with 18th- and 19th-century pieces. The Colonial is surely the only home in the neighborhood with a veranda surrounded by white Corinthian columns, which originally graced a 150-year-old Georgian Southern mansion. Peter and the crew from his business, TimberCraft Remodeling, erected those columns, as well as positioning heavy concrete statues on the rooftop.
"I was thinking how crazy Isi was," recalled Peter. "I never, ever thought I'd be living in that house."
Twenty years later, Peter and his wife, Patti, own the one-of-a-kind Colonial that reflects his uncle's passion for antiques, art and architectural salvage. Isi collected centuries-old wood and ornate columns and recycled them in the millwork throughout his house, long before it was a popular "green" practice.
For the Murlowskis, taking responsibility for Isi's eccentric endeavors wasn't a cavalier decision.
In 2001, Isi, then 82, had heart failure in the home and later died. The Murlowski family was hoping a relative would buy the home, but "no one was stepping up," said Peter. "Some of the nieces and nephews thought it was haunted because of the stories Isi would tell."
So an antique-dealer friend bought it and later decided to sell the sprawling home in 2010. But there wasn't a single buyer with an offer.
Peter and Patti were living six blocks away in the home where they had raised their boys. "I was afraid to buy Isi's house. It would be a full-time job to clean," said Patti. With all the additions, the Colonial had grown to nearly 6,000 square feet. "The hideous lime green living room needed painting, and the basement was scary," she added. But for Peter, the house wasn't just a building. It held many emotional ties from his childhood.