Music: Maceo Parker: Soul Brother No. 2

Saxophonist Maceo Parker's got a new bag: Ray Charles.

August 17, 2012 at 9:04PM
Maceo Parker
Maceo Parker (Margaret Andrews/The Minnesota Star Tribune)

This is what Maceo Parker did on his birthday: Left his house at 2:30 a.m., drove 2 1/2 hours to the airport in Raleigh-Durham, N.C., and caught the first of a couple of flights to Salt Lake City. "I did not do a thing to celebrate," he said the next day from his EconoLodge room in Utah. "I traveled."

You'd think one of the most raucous saxophonists in R&B history -- the No. 2 man for Soul Brother No. 1 (James Brown), the straightest-looking funkateer for Dr. Funkenstein (George Clinton) and senior courtier to His Royal Badness (Prince) -- would have been partying for his 65th birthday on Valentine's Day. But, like his famous bosses, he's a road warrior.

"He's an absolute road rat," said Twin Cities R&B historian Alan Leeds, who as former road manager for Brown and Prince has known Parker 40 years. "This is a guy who goes crazy if he's not on a stage. He will play anytime, anywhere -- he just wants to play for people."

Parker's current tour, which brings him to the Dakota Jazz Club on Monday and Tuesday, is promoting a new double CD, "Roots & Grooves," recorded with a German big band. One disc, as you'd expect, is a live CD of some of the finest funk on the planet. But the other is Parker doing a spot-on vocal tribute to Ray Charles.

Who knew that Parker was a Charles devotee? Brown, for one, did not until he walked into a rehearsal in the mid-1970s and heard Parker's impression of Charles. So that night onstage in Raleigh ... well, let Parker pick up the story:

"At the end of 'Prisoner of Love,' we're doing a vamp and [Brown] says into the microphone, 'You know I walked in the other day and I ran into Ray Charles and I wonder if Ray is still around.' Then he backs up from the microphone and says, 'Hey, Ray. Has anyone seen Ray?'

"I ran off and said, 'Anybody got shades?' So I put shades on, and I come to the mike and [sing], 'You give your hand to me, and then you say hello.' And I'm thinking: 'How can I get out of this? Why is he doing this to me?' No rehearsal, no nothing. Sometimes it became part of the show, and sometimes it didn't."

about the writer

about the writer

Jon Bream

Critic / Reporter

Jon Bream has been a music critic at the Star Tribune since 1975, making him the longest tenured pop critic at a U.S. daily newspaper. He has attended more than 8,000 concerts and written four books (on Prince, Led Zeppelin, Neil Diamond and Bob Dylan). Thus far, he has ignored readers’ suggestions that he take a music-appreciation class.

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