Everybody loves a mystery, and Vivian Maier does not disappoint.
In the past four years, exhibitions of her keen-eyed street photos have drawn rave reviews in 21 shows at galleries from Chicago to Paris, London and Moscow. A documentary film about her life, "Finding Vivian Maier," premiered in New York in November. Her first Twin Cities exhibition, "Vivian Maier: Out of the Shadows," opens Friday at the Mpls Photo Center.
Five years ago she was utterly unknown.
When she died in 2009 at age 83, Maier was remembered by only a few friends and the families for whom she had long worked as a nanny in suburban Chicago. In her last years, children she once cared for had done the same for her, saving her from homelessness by paying for her lodging. Only they took notice of her death following a fall on an icy Chicago street.
Her life's work would have gone, too, were it not for a caprice of fate.
As a live-in nanny, Maier had no home of her own so she rented storage lockers for her personal stuff — neatly filed newspaper clippings, shoes, trinkets, cameras, home movies and more than 100,000 negatives, 2,000 rolls of undeveloped black-and-white film and 700 rolls of undeveloped color. But as her finances and health deteriorated, the rent on the lockers went unpaid and in 2007 their contents were auctioned.
Enter John Maloof, a history buff looking for vintage photos to illustrate a book about his Chicago neighborhood. For $380 he bought a box of Maier's negatives. He knew nothing about black-and-white photography but fell in love with Maier's work, and tracked down and bought back 90 percent of the things she'd left behind. He began printing and promoting her work, inciting her present fame.
The other 10 percent are owned by Jeffrey Goldstein, whose collection is the source of the Minneapolis show. All of the photos on view are posthumous prints, made from her original negatives using black-and-white processes typical of the 1950s, '60s and '70s, when the photos were taken.