If we're to believe SoundScan, Apple, teenagers and Mark Wheat, the full-length album is a dying art form. Big Ditch Road is fanning that theory, too, even if that's not its intention.
"We're all old-school music fans and record collectors, so I hope not," BDR frontman Darin Wald said.
This week Wald's neo-Americana rock band is issuing its second in a pair of EPs, "The Jackson Whites." Not only does the disc offer a taut six songs instead of the usual 10 or 12, but a limited number of physical copies are being manufactured (otherwise, look for it on iTunes).
None of this, however, means that "The Jackson Whites" -- which the band will promote tonight at the Turf Club -- is in any way inferior to BDR's two previous full-length albums. In fact, the quintet has consistently evolved since its second ambitious LP, "Suicide Note Reader's Companion," a down-and-out opus that earned them ample local acclaim.
BDR's 2006 EP, "The Great Dissent," saw the band drifting further from the alt-country sound it rode in on after forming in 2001 and going through a dramatic lineup change in 2005. That shift is even more dramatic on "The Jackson Whites."
"'The Great Dissent' covered the end of alt-country, at least as we saw it," said Wald.
A genuine farm boy from Thief River Falls in northern Minnesota, Wald, 33, said he saw the bells tolling on the modern-twang movement when he walked by the now-shuttered Gap store in Uptown and saw faux-cowboy shirts in the window.
"It's a musical genre I love, but it became apparent there was nothing we could add to it," he said.