She is 23. She is a movie star. She is a millionaire. And she is famous around the world, a best-actress Oscar nominee (one of the youngest), a fashion icon (the subject of a current, extensive spread in Vogue) and a sex symbol (recently voted, in one poll, as the woman with Britain's most seductive voice).
And yet, Keira Knightley is not without regrets. "The only thing I do wish is that I'd changed my name," she says. "As an actor, what I look like, my face, is used all the time for different characters, so I'm sort of used to that."
But what really disturbs her, she says, "is when I see my name in those stories, because I can't disassociate myself from that. It's like 'The Crucible,' when they're trying to get him to sign the confession and he won't. I used to think 'How stupid, just sign, what does it matter?' But your name should belong to you."
And, over a very brief and amazing career, Knightley has made hers known.
It would have been enough to just be the teen star of "Bend It Like Beckham." It would have been more than enough to just be the action-film femme of the three "Pirates of the Caribbean" hits. But then Knightley added "Pride and Prejudice" to that, and won an Oscar nomination. And then tacked on "Atonement."
And now the opulent, tragic biography "The Duchess."
The story of Georgiana, the 18th-century Duchess of Devonshire -- and ancestor of Princess Diana -- it's the familiar story of a colder, older husband, a naively romantic bride and a marriage marred by dishonesty, infidelity and the all-important need for a male heir. The parallels are evident (and, in fact, the movie's poster even rewrites a line of Diana's -- "There were three people in her marriage").
But Knightley is an actress, not an essayist. The parallels don't interest her. It's the character that fascinates.