On the surface, it looked like the most rotten thing rock's most famous punk has ever done to sell out his image -- worse even than the Sex Pistols' bluntly named Filthy Lucre Tour.
"I buy Country Life because I think it tastes the best," the artist formerly known as Johnny Rotten sneered on screen in butter commercials smeared all over U.K. television in recent years. That's right: The guy who infamously declared himself the Antichrist had suddenly gone pro-butter.
As with the Pistols' publicity-driven firestorm of the 1970s, though, John Lydon says there's a deeper story behind those ads. They bought him the freedom to become more punk than he's ever been in his 35-year recording career.
"Shilling for butter is a lot less harmful and denigrating than dealing with a record company," Lydon said in a surprisingly gracious and light-humored phone interview.
Headed to Mill City Nights for his first Twin Cities performance since 1989, the British music legend is back on the road with his post-Pistols dance-rock band Public Image Limited. The group's first new album in 20 years, "This Is PiL," dropped over the summer.
Lydon says PiL could not have returned without those Country Life ads, or the equally surprising TV stints he did in the '00s (i.e., hosting nature specials on the Discovery Channel and appearing on the U.K. reality show "I'm a Celebrity ... Get Me Out of Here!").
"For 20 years there, I was under these stifling obligations by major record labels that made it impossible for me to function," Lydon explained. "They kept me in debt to the point where there was no money for me to record new material. One way or another, they pushed me out of the very thing that I love the most, which is songwriting and performing live."
With his wicked, iconic laugh, he added, "Thank God for British butter! The correct use of a sponsor for the first time ever in the history of music. And here we are today: We formed our own label, paid for our own recording, hired our own facilitators and crew. We're completely independent of the [expletive] record-label system, and we're raring to go."