LOS ANGELES — Once upon a time, the Super Bowl halftime show belonged to marching bands and pageantry. But these days, it belongs to global pop stars, cinematic production and moments that ripple beyond the stadium.
Over the years, the league's brief intermission has transformed into one of entertainment's biggest stages, hosting era-defining performances from Prince in the rain to Rihanna's record-setting return, Usher's tightly choreographed showcase and Kendrick Lamar's layered, visually driven storytelling.
What began as intermission filler has evolved into a global spectacle, rivaling the NFL's championship game itself for attention from more than 100 million viewers worldwide.
That evolution continues this year as Bad Bunny prepares to take the halftime stage, placing Latin culture and Spanish-language music at the center of America's most-watched television event.
''The halftime performance has come a long way,'' said Dan Marino, the Hall of Fame quarterback who played 17 seasons with the Miami Dolphins and competed in the 1985 Super Bowl. As an NFL analyst, Marino's had a front-row seat to several halftime shows.
''Not a lot of people really watched it,'' he continued. ''But now, people love to watch the halftime show.''
That shift did not happen overnight. For decades, the halftime show reflected the NFL's family-friendly image, built around marching bands, drill teams and patriotic spectacle. As the Super Bowl grew into an unofficial national holiday — and a global broadcast event — the league began rethinking the power of those 12 to 15 minutes, gradually turning the break into a cultural platform capable of launching careers, shaping narratives and, at times, sparking national conversation.
Last year, Lamar used the halftime stage as a narrative space, weaving choreography, costuming and staging to explore themes of identity, power and perception. The performance stayed within league parameters while still drawing broad interpretation and debate over its imagery and tone.