Bring Up the Bodies (Henry Holt), the second novel in Hilary Mantel's trilogy about Thomas Cromwell (and the second to win the Man Booker Prize), is history as an intimate drama, showing us Henry VIII and the state of England through the prism of the minister's machinations to set the king free of his second wife, Anne Boleyn, so he might marry the next. The book somehow manages to convey the most down-to-earth workings of human nature while operating in the highest realms of literary art -- and to maintain exquisite suspense about a story whose ending everyone knows.
ELLEN AKINS
Megan Mayhew Bergman's stunning debut story collection, Birds of a Lesser Paradise (Scribner), left an indelible trail of tiny footprints across my soul. Her deep-seated appreciation of the intimate connection between humans and animals emanates from every single page.
MEGANNE FABREGA
The disciplined, muscular stories of Guilt (Alfred A. Knopf), defense attorney Ferdinand von Schirach's followup to his debut collection, "Crime," deliver another literary home run. They follow ordinary, mostly decent people suddenly propelled into murder and other mayhem. The clipped, razor-sharp sentences, devoid of clauses, nevertheless contain depth charges. With the propulsive rhythm of a fast train, inexorable as fate, the narration converts life's accidents into the precision of story.
BRIGITTE FRASE
Part memoir, part family history, the extraordinary House of Stone (Houghton Mifflin Harcourt) by Anthony Shadid conjures the lost world of a cosmopolitan Middle East through Shadid's attempt to rebuild his ancestral family home in the hills outside Beirut. Shadid relies on 74-year-old contractors and a raft of cigarettes and tiles rescued from bomb-demolished villas, making his not your typical retreat renovation. But in his lyrical prose, the story of how it happens makes clear that all the important matters for him -- home, family, a Lebanon that is more than the sum of its conflicts -- can only be achieved the hard way, the right way: through patience and by listening to what a place can tell you.
JOHN FREEMAN