We sleep in.
Summer days in Minneapolis are fantastic, but as long as I'm fantasizing here, my perfect summer day starts by not starting. At least not starting at 6 a.m. with a child banging on the bedroom door looking for the thing for the thing.
8 a.m.: When you're raising lots of kids in a blended family, uninterrupted sleep ending luxuriously at, say, 8 a.m., is about as good as it gets. I want to have a whole day that feels this way. So I head to Great Harvest Bread Co. (4314 Upton Av. S., Mpls.) to buy a caramel-and-nut-drenched sweet roll the size of a clock, and just for me, because it's hell in midlife to keep the pounds on, and besides, we're about to go on a long bike ride, our summer tradition.
9 a.m.: Patrick pulls the bikes out of the storage room and the tires are full and as we head out I don't feel my usual pain and regret after pedaling for … one block … and with little effort we are traversing the Midtown Greenway as I fly past the hotshots in their flashy latex biking shorts and manage to not get my shoelace stuck in my spoke.
10 a.m.: We eat a delicious brunch at Longfellow Grill (2990 W. River Pkwy., Mpls.) and, instead of my usual whining, I can't wait to get back on my bike to ride the 8 miles back.
2 p.m.: We get home and the kids are fighting — about who gets to clean the toilets — but they decide to do it together and one volunteers to take the dog on a long walk and even knows where the leash is.
3 p.m.: "Take a nap," they tell us. So we do and we wake up and head to the Russian Museum of Art (5500 Stevens Av., Mpls.), which I adore, and I head straight to the "Laughing Milkmaids" and jump into the frame and one milkmaid hands me a white apron and another a tall glass of lemonade (hard) and I laugh with them, and inhale the fragrance of freshly cut grass and, frankly, stinky manure, but I don't care because it is a gorgeous day all over the world and I am in it.
5 p.m.: We return home to catch an early evening concert at Lake Harriet featuring the Minnesota Orchestra because we are a city that embraces the cultural imperative of supporting our brilliant musicians. But suddenly word spreads that the flute player is ill and they've heard that I played second-chair flute in my school concert band a mere 35 years ago. Suddenly, I'm playing to feverish applause.