Edgar Allan
Like a character in a 19th-century "Rushmore," Edgar Allan (Katie Hartman) aims to conquer, at age 11, the "finest boarding school in all of England." He's an odd little fellow, speaking in precocious rhymes and overdramatic flourishes. Edgar, however, finds himself bested at every turn by another Edgar Allan (Nick Ryan). After jousting for dominance, they form a boyish bond that is sullied by betrayal, providing for a very "Cask of Amontillado" denouement. The uneven tone is punctuated by ukulele ditties and wry laughs, mostly from the very deadpan Ryan.
(10 p.m. Sun., 7 p.m. Tue., 5:30 p.m. Sat., 2:30 p.m. next Sun.; Theatre Garage, 711 W. Franklin Av.)
Cynthia Dickison
Into the Unreal City
Playwright Gemma Irish is a romantic, writing with sincerity and intimacy. She and producer/composer Mark Sweeney take the audience on a literal journey of the heart — and Minneapolis' West Bank — with catchy songs and prose that leaves you humming the tune into the next Fringe show. This rom-com tells a familiar story of boy (Zeke) meeting girl (Bret) in a convincing, non-cheesy way that melts your heart, brings a smile to your face and adds pep to your step. Remember to wear comfy shoes; you will be standing and walking for the entire show.
(7 p.m. Sun.-next Sun.; Rarig Arena, 330 21st Av. S.)
Karen Zamora
Labyrinth
Vox Medusa's modern-day take on the ancient tale of Ariadne and the Minotaur contemplates the beast within. The monster is the creation of the fearful inner voices and disturbing visions that plague us all. Choreographer Kristin Freya gives her dancers a slinky demonic edge. Choir director Emily Colay's crisp vocals are like siren songs. Alexandria West is a suitably skeptical contemporary Ariadne. This show wanders off its narrative path at times, but just keep following the threads — they lead to an uplifting ending.
(8:30 p.m. Sun., 8:30 p.m. Thu., 1 p.m. Sat., 5:30 p.m. next Sun.; Intermedia Arts, 2822 Lyndale Av. S.)
Caroline Palmer