Soundtracks
Various acts, "Silver Linings Playbook Soundtrack" (Sony)
The movie "Silver Linings Playbook" is one of the buzz films for this winter's awards season. The David O. Russell-directed flick stars Bradley Cooper as a former teacher with anger-management problems and fresh from a mental institution, Robert De Niro as his OCD father and Jennifer Lawrence as a young widow with anger issues of her own.
Music is often key to the story -- from Stevie Wonder's "My Cherie Amour," which triggers Cooper's character's rage, to the medley of songs that serves as a backdrop for a climactic dancing competition. But, unfortunately, "Silver Linings Playbook" doesn't have a fraction of the continuity or allure of the movie.
Instead, it's a typical soundtrack hodgepodge, underscored by the fact there are two instrumental songs each from the Dave Brubeck Quartet (the hand-clapping romp "Unsquare Dance" and a spin on "Maria" from "West Side Story") and movie-score wunderkind Danny Elfman (the scattershot "Silver Lining Titles" and the rote "Walking Home").
In addition to "My Cherie Amour," there are disparate oldies ranging from the Polynesian-flavored "The Moon of Manakoora" by Les Paul and Mary Ford, to the soul-jam "Hey Big Brother" by Rare Earth, to the sober Bob Dylan/Johnny Cash duet "Girl From the North Country."
New songs are likewise far-flung: limber, rootsy rock from Alabama Shakes ("Always Alright"), a trippy excursion from Alt-J featuring Mountain Man ("Buffalo"), a blurry, anonymous slice of rawness from Eagles of Death Metal ("Now I'm a Fool"), the serpentine-cool jazz of "Goodnight Moon" by Ambrosia Parsley & The Elegant Too, and a pointless and dull remake of "Monster Mash" by CrabCorps. Then there's the Dianne Warren-penned power-pop/modern R&B Jessie J track "Silver Lining," which could serve as the film's mainstream signature hit.
All together, these songs are a composite mess, much like the relationships in the film.
CHUCK CAMPBELL, SCRIPPS HOWARD NEWS SERVICE