POP/ROCK
Patti Smith, "Banga" (Columbia)
"Banga," Smith's first album of new songs since 2004, sets out to dissolve boundaries: between nations, between past and present, between speech and song, between art and life, between her band and fellow musicians. Like her other albums, it juxtaposes rockers, lullabies, elegies, incantations, love songs and myths in the making.
At 65, Smith presents herself unburdened by age. She identifies on this album with voyagers, adventurers and her fellow artists; she's still determined to explore.
The music is diverse, expansive and surprisingly meticulous; there are string arrangements, Asian gongs and a track built around the folksy mandocello played by her drummer, Jay Dee Daugherty. That one, "Mosaic," hints at Celtic ballad, Bollywood pop and Smith's own imagistic mysticism.
The songs have back stories. "Banga" is named after Pilate's loyal dog in the Mikhail Bulgakhov novel "The Master and Margarita," waiting centuries with his master to enter heaven. But the album is mostly a stomping drone, building and kicking up feedback behind Smith's theological reflections.
Between poetic rhapsodies, the album's concise rock songs gleam. Smith and her bassist, Tony Shanahan, bring slowly swaying doo-wop chords to her elegy for Amy Winehouse, "This Is the Girl." They also collaborated on "April Fool," a fond invitation that tingles with guitar lines from Tom Verlaine, another vital survivor from the dawn of punk at CBGB in the 1970s.
As much as she looks back, Smith isn't limiting her horizons. In "April Fool," she sings with what sounds like a smile, "Come, let's break all the rules."
JON PARELES, NEW YORK TIMES