CD reviews 2/14: Sharon Van Etten and Dierks Bentley

February 13, 2012 at 9:29PM
Dierks Bentley, "Home"
Dierks Bentley, "Home" (Star Tribune/The Minnesota Star Tribune)

POP/ROCK: Sharon Van Etten, "Tramp" (Jagjaguwar)

The title of Van Etten's new album refers to the transient existence she led during its creation: touring; sleeping on friends' couches; showing up for recording sessions at the Brooklyn home of the National's Aaron Dessner, who served as her producer. But if "Tramp" follows an unstable period in this New Jersey native's life, the record hardly exudes the jitters you'd expect; it sounds like the work of someone rooted solidly to the ground.

Much of that quiet sturdiness derives from Van Etten's singing, which anchors the music even as Dessner fills out his gloomy arrangements with dense indie-noir details. Members of Wye Oak and the Walkmen appear on "Tramp," as does Zach Condon of Beirut in a stately duet, "We Are Fine."

But it's also the result of Van Etten's devotion to her subject matter, a commitment to self-examination she crystallizes in "Leonard" with nearly comic precision, admitting, "I am bad at loving you," over a luscious waltz-time groove. (You know the lyric isn't actually comic because, as she tells us later in "Ask," "It hurts too much to laugh about it.")

Van Etten never strays from that emotional terra firma, and though its handsome desolation can threaten to become dreary, she makes her own psychological space feel as fact-like as any permanent address.

Van Etten will perform Saturday at Cedar Cultural Center in Minneapolis. --MIKAEL WOOD, LOS ANGELES TIMES

COUNTRY: Dierks Bentley, "Home" (Capitol)

Curly-topped Bentley took the rural route on his last release, the superb country-bluegrass blend "Up on the Ridge." With the help of some of the best pickers available, and friends like Jamey Johnson and Miranda Lambert, he followed his roots wanderlust to great effect. For the follow-up, he heads back on the main highway to Nashville.

The result is a solid collection of good-time country rockers ("Am I the Only One," "5-1-5-0"), poignant ballads (the heartwarmingly patriotic-yet-personal title track), and contemporary radio bait (the midtempo ripper "Tip It on Back" and the jaunty "Heart of a Lonely Girl").

But Bentley was clearly moved by the sound of "Ridge," as its textures unobtrusively infiltrate "Home" -- including dusty fiddles, ringing banjos, and wisps of pedal steel. There are several standouts here: A sultry duet with Karen Fairchild of Little Big Town on "When You Gonna Come Around" has a sensual charm, and album closer "Thinking of You" is a gentle lullaby of affirmation to his family that features a snippet of his young daughter singing the refrain -- which could've been cloying, but ends up simply sweet. --SARAH RODMAN, BOSTON GLOBE

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