POP/ROCK British singer Michael Kiwanuka's debut "Home Again" is filled with soft, kind of summery old-school sounds. Think Bill Withers, Ted Hawkins or Otis Redding's "Dock of the Bay." Kiwanuka delivers mellow, soulful stuff with a honeyed voice that makes the pain a little bittersweet. The newcomer has hipster cred: He recorded a single featuring Dan Auerbach of the Black Keys, and "Home Again" has been nominated for England's prestigious Mercury Prize. Kiwanuka already won the BBC's Sound of 2012 poll, an honor that went to Ellie Goulding, Florence + the Machine and Jessie J in previous years. (8:30 p.m. Fri., Fine Line, $15.) Jon Bream
One of rock's all-time best instrumental bands, with one of its wickedest violinists, Australian trio the Dirty Three is probably better known now for its members' work outside the band than for their acclaimed albums of the '90s and early '00s: The maniacally bowing Warren Ellis plays with Nick Cave in the Bad Seeds and Grinderman, while drummer Jim White and guitarist Mick Turner have backed Cat Power and PJ Harvey. They've issued their first D3 album in eight years, "Toward the Low Sun," with orchestral noise-rock that can turn from beautiful to bloody in split, hair-raising seconds. (8 p.m. Fri., Cedar Cultural Center. All ages. $18-$20.) Chris Riemenschneider
After vocal problems postponed her Varsity show in April, Canadian folk-rocker and part-time Wisconsinite Kathleen Edwards nearly didn't make it back to the makeup date: She had a near-fatal allergic reaction to a wasp sting just three weeks ago. All the more reason to be thankful we finally get to hear live adaptations of her Justin Vernon-produced album "Voyageur." Fellow songstress from the north Jenn Grant opens. (8 p.m. Fri., Varsity Theater. $18-$20.) Riemenschneider
San Francisco guitarist Steve Kimock has long been in and around the Grateful Dead scene, having played in Kingfish, the Other Ones, the Rhythm Devils and Phil Lesh & Friends, among other groups. Beloved by Jerry Garcia, Kimock has been known to take off on mesmerizing jazz-rock excursions, as he does with his latest ensemble with keyboardist Bernie Worrell (Parliament-Funkadelic, Talking Heads), bassist Andy Hess (Gov't Mule, Black Crowes) and drummer Wally Ingram (Sheryl Crow, David Lindley). (8 p.m. Sat., Cedar Cultural Center, $25-$30.) Bream
Former Stereolab singer Laetitia Sadier is making a welcome return to the road, two albums into a solo career and three years since her old band went on indefinite hiatus. The French indie crooner's newest record, "Silencio," is an all-out protest record based on Europe's crumbling state of affairs, with her familiar, Nico-like voice and layers of loungey cafe-pop and ethereal synth arrangements belying the sharp edge of the lyrics. Portland's surf-punky Orca Team opens. (7:30 p.m. Sun., 400 Bar. $10.) Riemenschneider
Dispatch was an under-the-radar phenomenon, a trio from Vermont's Middlebury College who advocated file sharing, built a following on the jam-band circuit, disbanded and then surprisingly sold out three concerts at New York's Madison Square Garden. This year, the on-again, off-again group released its first album of new material in 12 years. With their banjo, bluegrassy bent and sweet harmonies, Dispatch fits perfectly in the contemporary world of Mumford & Sons/Avett Brothers pop-folk. (8 p.m. Mon., Orpheum Theatre, $41.) Bream
Like Radiohead and TV on the Radio (but unlike Animal Collective and many others), Grizzly Bear is one experimental indie band that can tear down conventional song structures and stir them up with plush layers of harmonies and frayed guitars, then somehow build it all back up into something sensible and powerful on stage. The Brooklyn quartet will have its work cut out this time around. The new album, "Shields" -- recorded between the mystical pull of Marfa, Texas, and the hoity-toity confines of Cape Cod -- is ambitious and aurally challenging, but reviews and clips from the tour sound promising. Atmospheric Baltimore band Lower Dens opens. (8:30 p.m. Mon., First Avenue. $35.) Riemenschneider
Like Burt Bacharach, Jimmy Webb is the rare songwriter who became famous in the 1960s. He penned "Up Up and Away" for the Fifth Dimension, "MacArthur Park" for Richard Harris and "Wichita Lineman" and other hits for Glen Campbell. Webb is just as masterful at storytelling. He'll tell back stories, drop names and sing his tunes, but he'll never 'fess up to the meaning behind "someone left the cake out in the rain" in "MacArthur Park." (7 p.m. Tue., Dakota Jazz Club, $35.) Bream