POP/ROCK
Death seems to find Gregg Allman. Whether it was the accidents that killed Allman Brothers bandmates Duane Allman and Berry Oakley in the 1970s or the tragic death of a crew member during the filming last year of Gregg's life story, the Southern rocker has known plenty of hard times. Not to mention his battle with drugs, hepatitis C (leading to a liver transplant) and the 2014 demise of the Allman Brothers. Not to worry, Allman has had an on-and-off-again solo career since 1973. Expect a mixture of Allman Brothers faves and selections from his solo discs. (8 p.m. Fri., Pantages Theatre, $58.50-$104.) Jon Bream
With its infectious sugary dance-pop, Walk the Moon have glided to pop stardom. In concert, the Cincinnati quartet has a hint of U2 pretension and Bowie-esque affectation in the person of lead singer Nicholas Petricca. But it's mostly about the bubbly electro beats, contagious energy and hits like "Shut Up and Dance" that will keep fans, um, dancing. Opening are the Griswolds, indie rockers from Australia. (7 p.m. Fri.-Sat., First Avenue, sold out.) Bream
A cultish following and a little MTV "120 Minutes" airtime wasn't enough to keep the Magnolias going full-time through the mid-'90s, but the Minneapolis pop/punk vets came back to life in the '00s and thankfully never really went away. Give pint-sized, hook-savvy frontman John Freeman big props for playing the anniversary card instead of the reunion card, in this case his crew's 30th. Kevin Bowe & the Okemah Prophets and the Badinovs open. (9 p.m. Fri., 7th Street Entry, $10.) Chris Riemenschneider
New Orleans' torchy twang-rocker Kristin Diable rippled through the South by Southwest Music Conference last week following the release of her second album, "Create Your Own Mythology," produced by Dave Cobb, the guy behind Sturgill Simpson's last record. Diable sounds like a more laid-back Shelby Lynne or breezier Amy Winehouse. She's touring with another Cobb protégé, Anderson East, a gravelly voiced Alabama soul-rocker who also kicked up some dust at the Austin megafest. (9 p.m. Fri., Turf Club, $8-$10.) Riemenschneider
Dubstep heavyweight Excision takes over the Skyway for a Saturday doubleheader. The Canadian bass monster dropped his metallic "Codename X" album last month and is touring his "Executioner" stage setup for the last time, with support from Los Angeles' Protohype and locally reared, California-based producer Minnesota. Ticketholders to the sold-out late show can catch local and regional DJs in Bar Fly from 7-9:30 p.m. when the matinee clears out. (5 & 7 p.m. Sat., Skyway Theatre, $30.) Michael Rietmulder
Chris Tomlin may craft surging, arena-ready rock, but there is no mistaking what he's singing about: Jesus. On "Greater," the first tune on his big-selling 2014 album "Love Ran Red," he must sing "Jesus" a dozen times and mention "God," "Him" or "He" just as often. It's rock 'n' roll as testimony, and it has led to 21 Dove Awards and arena tours for the 42-year-old Texan. Opening are Tenth Avenue North and Rend Collective. (7 p.m. Sat., Target Center, $27-$57.) Bream
At 73, Chicago bluesman Otis Clay is as busy as ever. He is featured in the 2014 documentary "Take Me to the River" about music in Memphis, where he used to record for the Hi label. He teamed up with Johnny Rawls on the album "Soul Brothers," worked with his own band on 2013's "Truth Is" and can be heard on the new Secret Stash Record compilation "One-derful," featuring unreleased soul tracks from 1964-68. No matter what context, Clay fills his blues with a distinctive gospel fervor. (7 & 9 p.m. Sat., Dakota, $20-$35.) Bream
Ibeyi is Naomi and Lisa-Kaindé Diaz — the twin daughters of celebrated Cuban percussionist Anga Diaz. Their stark, self-titled debut carries influences from hip-hop to Cuban folk and West African Yoruba culture. The Paris-based siblings trade verses in English and Yoruba over electronic and organic beats and serpentine piano leads. Flo Morrissey opens. (7:30 p.m. Mon., Cedar Cultural Center, $15.) Rietmulder