POP/ROCK
You could feel the Medina crowd waiting with bated breath last winter when Rock and Roll Hall of Famers Eric Burdon and the Animals launched into their best-known hit, "House of the Rising Sun." Sure enough, the frontman was still able to hit the climactic high notes, and sang most of his other classics with impressive, gut-busting gusto, including "We Gotta Get Out of This Place," "Don't Let Me Be Misunderstood" and "It's My Life." No wonder they invited him back so soon. Lamont Cranston with Bruce McCabe also make a welcome return as openers. (8:30 p.m. Fri., Medina Entertainment Center, 500 Hwy. 55, $31-$51.) Chris Riemenschneider
Broken Bells made a ho-hum impression on their debut tour in 2010 and have dropped a similarly lackluster sophomore record, but that didn't stop fans from lining up to catch the band's two reputable collaborators in action. James Mercer of the Shins steps out from behind the mope and explores his psychedelic-pop and dance-rock leanings in the group with the help of Brian "Danger Mouse" Burton, the Gnarls Barkley co-founder and producer for the Black Keys, Norah Jones, Beck and now U2. They seem to be channeling the Bee Gees and Bowie more than the Beatles on their new one, "After the Disco." Brooklyn dance-pop darlings Au Revoir Simone open. (9 p.m. Fri., First Avenue, sold out.) Riemenschneider
A cool space underutilized by the music scene is being used in a big and adventurous way this weekend for the Southern Theater Sessions, hosted by icy chamber-folk trio batteryboy (who also perform each night) and featuring acoustic sets by a wide range of local rockers. Friday's lineup has harmonious sister act the Ericksons, indie-rockers the Farewell Circuit and Nick Costa. Saturday is heavy on guitar pop with the Melismatics, Carroll and Fairfax, AK, plus ukulele folkie Katy Vernon. (6 p.m. Fri.-Sat., Southern Theater, 1420 Washington Av. S., Mpls., all ages, $10/nightly.) Riemenschneider
Richie Ramone was more than just the mid-'80s drummer for the Ramones. He wrote some of the band's bigger songs from that era, including "Somebody Put Something in My Drink" and "Animal Boy," and sang lead vocals on a few tracks, including "Can't Say Anything Nice." So he's entitled to title his new solo album "Entitled" and give it a very Ramones-y sound. (8 p.m. Fri., Belmore/New Skyway Lounge, $12-$15.) Riemenschneider
A rare treat for garage-rock lovers, the Sonics presaged Nirvana and the rest of the Seattle/Tacoma sonic boom of the late-'80s by more than two decades with their own brand of grungy guitars and hard-blasting attitude. After modest success in the mid-'60s with the sax-spiked singles "The Witch" and "Have Love, Will Travel," the quintet earned a cult following that made it a favorite on Little Steven Van Zandt's radio show and led to a buzz-heavy reunion at South by Southwest in 2009. A sign of their influence, local punk pioneers the Suicide Commandos and Curtiss A & the Jerks lined up to open for them here, and vintage Miami rocker Charlie Pickett is coming to town just for the occasion. (8 p.m. Sat., First Avenue, $25.) Riemenschneider
Three philosophy professors from Carleton and St. Olaf sounds like the makings of a hopelessly pretentious rock band, but the Counterfactuals play a coolly laid-back, unflashy blend of twangy Americana and Feelies-like nerd-pop. To mark its debut album, "Minimally Decent People," the quartet recently packed J Grundy's Rueb 'N' Stein in Northfield. Their big-city release party is an opening set for Dewi Saint. (11 p.m. Sat., Icehouse, $5.) Riemenschneider
Not a local band you're likely to hear in rotation at the Current, Kitty Rhombus plays a freaktastic brand of acid-rock and space-funk, offering equal traces of the Butthole Surfers, Can and Ween under the manic spazz-spaceman musings of frontman Ian Stenlund. Originating from Madison, Wis., the quartet drops its second album, "Spectre at the Feast," this week in its adopted hometown. (10 p.m. Sat., Hexagon Bar, free.) Riemenschneider
Between the dismal end of Hüsker Dü and the bright beginning of Sugar, Bob Mould holed up on a farm near Pine City and made 1989's "Workbook," a dramatic solo debut that is one of the greatest records ever made on Minnesota soil. It produced some of his most oft-played songs ("See a Little Light," "Wishing Well") and presaged the incorporation of strings into alt-rock (see: Nirvana, R.E.M., Foo Fighters). Between album cycles with his storming power trio — which has another record in the can for release later this year — Mould is doing a short acoustic tour with bassist Jason Narducy and cellist Alison Chesley tied to the 25th-anniversary expanded reissue of "Workbook." Paul Metzger opens. (7:30 p.m. Tue., Woman's Club Theater, sold out.) Riemenschneider