When "A Christmas Story" opens Friday at Ordway Center in St. Paul, with little Ralphie trying his hardest to get a toy gun from Santa, it won't be just another big production on the roster of Broadway tours.
It will be the Ordway's very own splashy staging, complete with a 19-member orchestra, a village-sized cast and two rescue dogs. "Christmas Story" underscores the kind of work that the multi-arts venue is doing again after a three-year dry spell.
The Ordway is a producer, not just a presenter, of musical theater extravaganzas. If it hasn't produced since 2011's "Cinderella," blame it on cautious leadership. The manifold costs of mounting a big show, from hiring actors and an orchestra to building sets, costumes and the like, seemed prohibitive as the economy was recovering from a recession.
But under ambitious artistic director James Rocco, a dyed-in-the-wool Broadway baby, the Ordway is making up for lost time. It is set to stage three Twin Cities-grown shows this season. Next up: "Damn Yankees" and "The Pirates of Penzance."
"It's exciting that we're able to build a company — a core company of singers, actors and dancers — who can put on the great musicals of the American theater," said Rocco, who is doubling as co-director and co-choreographer of this production.
"It's an expensive proposition, to be sure, but it's rewarding because the community gets to see its resources used wisely, and we get to showcase great talents and great works that speak to the nation," Rocco said.
Tour caliber
In terms of look, production values and quality, Rocco aims to put his productions on par with those that originate in Times Square. The normal Broadway tour costs $2 million to $7 million (which includes transportation, lodging, per diems), said Rocco, who would not disclose the cost of "Christmas Story." It seems safe to conjecture — after seeing a rehearsal — that the show is in the $1 million range.
That cost covers a large cast but even more people behind the scenes. Rocco says it has taken upward of 300 people, from the scene shop of Penumbra Theatre, which built the sets, to costumers, designers and the musicians. That investment has broader economic impact as well as something that's not as easily measured: helping to cement the Twin Cities' reputation as a theater mecca.