Art: Independents party

Working on the fringes, photographers and videographers cast the 2008 election in a fresh light in a new exhibit.

January 16, 2009 at 5:45PM
"Pray," Tim White's photo of a child watching presidential candidate John McCain on television, evokes the endless invasiveness of the 2008 political season.
“Pray,” Tim White’s photo of a child watching presidential candidate John McCain on television, evokes the endless invasiveness of the 2008 political season. (Star Tribune/The Minnesota Star Tribune)

Listen up, political junkies and you cave dwellers who ignored Election 2008. With the Obama administration poised to take charge in Washington, D.C., on Tuesday, aren't you just a teensy bit nostalgic for those halcyon days last January when the election was still a distant dream? Remember the lines and chatter of caucus night? The Clinton-Obama slugfests in Pennsylvania, Ohio and Michigan? The Republican National Convention in St. Paul? Wardrobe-gate? Joe the Plumber? Pitbulls in lipstick? Change we can believe in?

Even as war raged and the world's financial system tumbled, the election rallied on, speeches rained down, pundits chattered, pollsters questioned, and photographers went out early and late to record the excitement of it all.

Today IFP Minnesota, a St. Paul-based media-arts organization, opens a show of about 40 photos by 11 mostly Minnesota-based photographers who took offbeat, unofficial images of everything from Al Franken jawing around a pot-bellied stove to Gov. Sarah Palin sparkling at the RNC and a mournful tribute to the late Sen. Paul Wellstone. Operating mostly outside official news-and-information channels, the photographers sometimes focused on the principal actors but more often turned their attention to the telling sideshows of the patriotic spectacle -- a mockup of the Oval Office in which visitors could pose behind a replica of President Bush's desk; gas-masked police scowling at skateboarding convention protesters; a candidate in the eye of a television camera.

Excerpts from a recent conversation with the show's curator, Minneapolis photographer Vance Gellert:

Q Aren't people too sick of politics to rehash this election yet again?

A Actually, it's Al Franken and Norm Coleman who are dragging us into boredom. We're celebrating that the system worked, or worked better this time. No one president or party is going to get us out of this mess. We're all going to have to roll up our sleeves and improve, in some small way, those things that concern us. I try to keep that in focus. [This show] is just trying to find a little inspiration for us all in this really messy time.

Q How did it come about?

A Early last summer I put out a call to photographers through various sources, including IFP and the Minnesota Center for Photography [which has since shut down]. I was hoping to find more conceptual pieces, but it's mostly documentary. I was pleased to see that photographers followed politicians everywhere, to polling places and all through the campaign process. Terry [Gydesen] and Alec [Soth] both made it into the RNC, so they have shots of the convention floor.

Q What makes these photos different from others we've seen in the news?

A It's challenging because everyone is locked into photo ops. Press photographers all seem to be clumped in the same spot, but the artists look at things a little differently. They're not news-driven; they're carrying a vision within them. There's a photo called "Pray" by Tim White of a kid kneeling in a darkened room, watching a washed-out television image of John McCain. In the context of the show it's going to be very powerful because it's really a picture of the television, and we've all been in that room, watching that television. It personalizes the experience because that moody imagery elicits in us a memory.

Terry [Gydesen] has two photos of Obama and Clinton campaigning at big rallies where the composition and lighting is almost identical. Placed next to each other they reflect that long, drawn-out battle. But all the signs in Hillary's background say "Hillary," and all behind Obama say "Change." Those little nuances say a lot.

There's a shot of Al Franken in a reflective mood that is almost tender, which is hard to say of Franken. And there's a Secret Service guy at an Obama rally in Dayton, Ohio, who seems to be reaching for a gun. It's scary. When you let it elicit the possibilities that have crossed your mind, there's really something to ponder.

Q Does the show take a political side?

A Oh, no. Other than the obvious, that more of the focus was on the Democratic campaign, maybe because more independent photographers tend to be Democrats? Non-news photographers only go to an event because they want to be there.

Q Who is in the show besides Gydesen, Soth and White?

A The other photographers are Avye Alexandres, Chuck Avery, Chris Bart, Aaron Bommarito, Larry La Bonte, Brett Marty, Rebecca Olstad and Chris Rodman. The videographers are a team, Marya Morstad and Jeffrey Schell.

Q Do you have any surprises up your sleeve?

A Our biggest coup is being able to release that journal that Alec [Soth] did, "The Last Days of W." It's a tabloid newspaper that was selling for $25 to $30 in Paris [during an international expo in November.] This will be its American release.

Mary Abbe • 612-673-4431

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