Growing up in a crowded house with a thousand siblings (well, nine, anyway), I was drawn, as a child, to stories about orphans and runaways. I'd lie on my top bunk and block out the din by opening a book. The right book, and I was transfixed, didn't hear the telephone, didn't hear the radio, didn't hear the 11 other people in the house talking, coughing, laughing, slamming doors, getting ready for dinner, getting ready for bed.
Instead, I was hiding in a creepy old house in County Cork with the Gareth children in Noel Streatfeild's "The Magic Summer," or rummaging through the dump with Gertrude Chandler's orphaned boxcar children, or wandering the Scottish Highlands with Kelpie, Sally Watson's witch of the glen.
I wanted to be all of them, live all of their lives. And through books, I could.
As I grew, the books changed, grew more complex, took me farther afield. But always, they did what good books do: They transported me. They took me away from the noisy crowded house on the northern Minnesota tundra, and they dropped me in the middle of the Australian outback ("Tracks" by Robyn Davidson) or Russia ("Anna Karenina") or New Orleans ("A Confederacy of Dunces").
When I asked readers for recommendations of summer books that transport them, they -- you -- replied in droves. Messages came in from all over the country, suggestions accompanied by mini-reviews, dotted with exclamation points and humming with enthusiasm. All of us, it seems, cherish a book that will whisk us away to another time and another place.
Lynne Day of Brooklyn Park suggested "A Moveable Feast" by Ernest Hemingway. "Paris in the 1920s came alive for me, reading this book," she wrote. "The cafes, streets, living quarters and people. If books were drinks, I'd say this gateway to Paris hit the spot."
To Italy, minus the airfare
Mary Sharratt, herself the author of books that transport us (her latest is "Daughters of the Witching Hill"), wrote, "This summer I plan to escape to Renaissance Italy with the novels of Sarah Dunant. I'm actually working my way backward through her trilogy, starting with the masterful 'Sacred Hearts,' which reveals the secret lives of Benedictine nuns in 16th-century Ferrara. I love the way she challenges our perceptions of women in this turbulent period of history."