A “fly-over state” has gotten the ultimate fly-over.
In this case, however, the pilots and camera crew with the Smithsonian Channel’s “Aerial America” worked a lot closer to the ground. Their goal: capturing the prairies and forests, the rural landscapes and urban landmarks, the lakes and streams and waterfalls that make Minnesota what it is.
The 60-minute result premieres on the cable channel at 8 p.m. Sunday, and will be available on iTunes thereafter.
We caught up with “Aerial America: Minnesota” director Toby Beach to get the lowdown from on high.
Q: How did Minnesota fare in aerial photos?
A: The fall colors in Minnesota were one of the highlights. We filmed just as the leaves were turning and they brought the state alive in ways that I hadn’t quite expected. Everywhere we focused the camera there was color. The combination of water, trees and fall light is so much a part of the Minnesota landscape.
Q: Are we really just a fly-over state?
A: Minnesota is actually a very distinctive state from the air. You don’t get a chance to see a landscape like the Boundary Waters anywhere else in the U.S.
Q: Was there a standout moment?
A: Filming barnstormer pilot John Mohr was one of the great experiences of this project. He enabled us to bring alive the history of Minnesota’s barnstormers in an exciting way — with his daring rolls and hammerheads over farms and fields.
Q: Would you ever do a flyover in winter?
A: As one of the coldest states in the U.S., Minnesota would be an ideal candidate for a winter shoot, and there would be lots to capture from the air. During our research I remember seeing a fantastic aerial photograph of the U.S. Pond Hockey Championships on Lake Nokomis, an amazing winter spectacle perfectly suited to “Aerial America.” □