Recent content from Rohan Preston
Subscribers for the full 2017-18 Twin Cities Broadway season will get first dibs on tickets to the 2018-19 presentation of "Hamilton."
The 62-year-old master comic and keen observer of human foibles, got something of a workout onstage Friday.
The show explores the search for balm in a troubled world.
The theater troupe marks its anniversary with a piece of Asian-American history.
Former General Mills exec to replace CEO Tom Hoch on interim basis.
The versatile actor, who died at 61, was known for dozens of roles at the Guthrie and elsewhere.
But R&B star Deborah Cox does the diva proud in a touring show at Orpheum.
Theater can be a marathon, so "Camelot" star Helen Anker works out to stay sharp.
APPRECIATION: The late Laurie Carlos was revered for her stage work, but her biggest legacy may be the voices she encouraged.
Walker Art Center opens its Out There series with a disruptive show inspired by quantum physics.
2016 served up muscular, resonant, well-crafted theater.
The comedy is both a sendup and a tribute to the hardy settlers of Minnesota.
The Ordway 2017 musical-theater slate announced Thursday sends a clear message: The St. Paul venue generally won't compete for touring Broadway shows.
The people have spoken. Joseph Haj's first year at the helm of the Guthrie Theater is a hit.
A master of nastiness on stage, actor Luverne Seifert is nothing but a pussycat in real life.
Understudy PaviElle French stepped into a lead role in Penumbra's annual holiday show.
REVIEW: The Broadway tour, which touched down Tuesday in Minneapolis for a weeklong run at the Orpheum Theatre, retains the luster of the original Tony-winning production.
REVIEW: James Goldman's play savors dysfunction as royals tear into each other.
The Twin Cities-bred stage veteran — no, not the budding film star — returns with the Broadway tour of "The Curious Incident of the Dog in the Night-Time."
Actor Laila Robins returns to the theater that inspired her dreams as the Guthrie opens "The Lion in Winter" this week.
Workshop roasts chestnuts old and new.
The Minneapolis theater, which took a financial hit when a benefit at Paisley Park was canceled, still hopes for a settlement of its $348,000 dispute.
REVIEW: Aditi Brennan Kapil takes us inside the mind of a teenage girl on the autism spectrum in the coming-of-age play "Orange."
The conductor, 93, who led the Minnesota Orchestra, is recovering after surgery.
REVIEW: Leave it to director Peter Brosius and his team at Children's Theatre Company to find new ways to make "Cinderella" fresh and winning.
Small gestures convey sizable questions in Sarah Ruhl's play "The Oldest Boy" at the Jungle.
Busy playwright Aditi Brennan Kapil prepares for her seventh premiere at Mixed Blood in Minneapolis while shuttling from coast to coast.
Novelist Colson Whitehead aims to change our heads with "The Underground Railroad."
Theater artist Masanari Kawahara brings light and soulfulness to inanimate objects.
Theater leader Bill Conner was instrumental in expanding Broadway tours in the Twin Cities and steadying the Children’s Theatre after its 1980s sex-abuse scandal. “Bill…
Minnesota Jewish Theatre's "Aunt Raini" explores the legacy of German filmmaker Leni Riefenstahl.
"As actors, we're in the business of transporting people," says the star of "Jitney," who spends his days ferrying passengers.
At major theaters across the Twin Cities, one delicate subject is suddenly at center stage: Race. No fewer than 16 shows this fall are addressing…
The classic Kander and Ebb musical returns in an electric, sexy, Tony-winning revival.
Performers Christine Maginnis and Judith Howard among winners.
Kyu-Young Kim, the respected violinist who became artistic director of the St. Paul Chamber Orchestra in January, has another feather in his cap. Kim has…
REVIEW: Lou Bellamy returns to a landmark play in a superb staging for Penumbra.
REVIEW: Michael Brindisi's staging is an apt reminder of the resilience of human ideals.
REVIEW: Show connects 1960s civil rights fight to contemporary struggles.
Minneapolis-based Playwrights' Center has made itself a connector for playwrights and theaters nationwide.
The man who helped save three historic theaters and create the Bob Dylan mural will leave sometime next year.
The Guthrie's "Parchman Hour" hopes to inspire a new generation with songs and tales of civil rights.
Play at Mixed Blood sets out to skewer stereotypes, even as it reinforces them.
Naomi Iizuka's new play opens in a taut, 70-minute tour-de-force premiere at the Children's Theatre.
When playwright Naomi Iizuka was pregnant, she spoke constantly to the boy kicking and growing inside her, telling him stories that drew on her Japanese and Latina heritage. A decade later, she has shaped some of those tales into an 80-minute epic.
REVIEW: Cirque du Soleil's retelling of "Avatar" lands like a dud at Target Center. There's a lot of eye candy, but ultimately the production fails to soar.
REVIEW: Director Noël Raymond proves herself up to the task in an exquisite production that opened last weekend at Pillsbury House Theatre in Minneapolis.
American dreams and despair mingle in the musical, getting a revival by Theatre Latté Da.
CTC season opener "Elephant & Piggie" comes off as an experiment that doesn't click until the end.
The Twin Cities theater scene turned the spotlight on itself Monday, celebrating its best and brightest at the annual Ivey Awards.
Playwright injects the classic bummer "Medea" with humor and hope.
Review: Mu Performing Arts offers a tough and touching production of Carla Ching's edgy play.
His performance, "The Trump Card," covers Donald and smug liberals.
TV scribe Carla Ching aims to rewrite a wrong in Mu Performing Arts' 25th season opener.
Sean Neely accuses the festival of "false advertising" because it claims to be nonjuried.
A new play opening this week in Minneapolis looks at clergy sex abuse from a victim's perspective.
The producers threw out Alan Jay Lerner's book, kept the songs by composer Frederick Loewe and lyricist Lerner, and enlisted Marans to craft a new story that's exciting and relevant.
A 1950s musical by the "My Fair Lady" team of Lerner and Loewe gets a 21st-century remake.
"Disgraced" is the talk of the summer, generating earnest post-show conversations about Islamophobia.
By the time Ken Hiller was asked to narrate George Lucas’ “Star Wars” trilogy for National Public Radio in 1981, he had already voiced hundreds…
Low-sensory show, where effects such as strobe lights and shattering sounds will be modulated, caters to an autistic audience.
The story of "Pinocchio" has always had us by the nose. But director Greg Banks' version at the Children's Theatre plumbs some deeper, contemporary themes.
The eclectic roster includes nine commissioned works, three of them tied to a Cunningham exhibit opening in February.
REVIEW: The tour production is royally entertaining, with only a few stumbles along the way.
Zenon Dance fundraising letter cites crime, parking and construction as factors in tough times.
For Twin Cities theater artists, real-world events such as the Orlando massacre can change the way a scene is seen.
Review: Broadway tour of 'The Bridges of Madison County' comes up short at Minneapolis' Orpheum Theatre
REVIEW: The national tour of this Broadway musical, which landed Tuesday at the Orpheum Theatre in Minneapolis, is so feeble it needs more than an electric shock to give it life.
Jungle Theater's "Le Switch" offers a witty take on gay marriage.
The prolific Twin Cities artist is 2016 recipient of the McKnight Distinguished Artist Award.
Fierce and driven, actress Sara Marsh has created a hot theater company – and a safe place to explore her own dark sensibilities.
Christina Ham's new play about race and violence puts pretty words to ugly truths.
Christina Ham builds her future as she digs into the nation's complicated racial past.
The theater's 40th anniversary season illustrates how Sarah Bellamy is reshaping its future.
The drama "Trouble in Mind" brings the first black woman to direct on a Guthrie main stage.
New Chan Poling musical "A Night in Olympus" gets rocking premiere.
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