Born and raised in the Twin Cities to NuyoRican parents, emcee, singer, and songwriter Maria Isa is recognized for her dedication towards celebrating her cultural diversity through music and political activism. Read more about Maria Isa.
Maria Isa is also profiled in a Twin Cities Public Television's mn original production. View the video.
I am having a party for the World Video Premier of my single SABOTAGE this Friday in downtown St. Paul. As a gift from SotaRico we're going to give you another little teaser off my upcoming album VALLEY OF THE DOLLS. It's an honor to present to you the Video and intro to my album "MARUCA," produced by Dan Comerchere. Video directed by Adam Stanzak and Cinematography by Michael Parades.
If you're in my hometown of St. Paul check out the flier below for more information on an exclusive listening party with performances by Ashely Debose, Ale Carrera, The Whales, Truthmaze and DJ Fundraiser. After party open to the public. Hit up www.misotarico.com for more information.
Above: Jose "Cheo" Feliciano, Legendary Salsa singer and composer died this morning in a fatal car accident in Cupey, Puerto Rico.
I woke up to sad news this morning with a list of tweets informing me that legendary salsa composer and singer Jose "Cheo" Feliciano has passed away in a fatal car accident. According to the Puerto Rican police reports, Feliciano was driving alone in his Jaguar when he lost control on Highway 176 in Cupey, Puerto Rico just after 4am. The 78 year-old man who was born in Ponce, Puerto Rico is known for his Fania hits "Anacaona," "Mi Triste Problema," "Busca Lo Tuyo," "y El Raton," and the list goes on.
Jose was influenced at a young age by the bolero music of Trio Los Panchos and at 8 years old, he formed his first group "El Combo Las Latas," (The Cans Ensemble), influenced by their musical instruments being made out of cans. Feliciano attended the Free School of Music in Ponce after finishing his primary education where he studied and became a percussionist.
In the early 50s, Cheo moved from Ponce, Puerto Rico to New York City's Spanish Harlem. It was there in El Barrio where he was offered to play in the Tito Rodriguez Orchestra. Shortly after he networked in the Latin music scene with Tito Rodriguez, he became a lead vocal in Joe Cuba's Sextet. His baritone voice, charm and improvisation skills made him a favorite in Latin music and opened up the doors for him to sing with the Eddie Palmieri Orchestra in the late 60s for years.
Above: Cheo Feliciano and Eddie Palmieri.
During the 70s, Jose broke sales in the Latin billboard charts recording, composing and touring many hits for the Fania All Stars and in the early 80s, Feliciano formed "Coche Records," becoming the first tropical singer to perform at the Amira de la Rosa Theater in Colombia. Feliciano also persued an acting career in 1987 and landed the role of Roberto Clemente's father in the musical "Clemente." Cheo was currently working on a project with Panamanian composer, singer and actor Ruben Blades, but the album's release date still has yet to be determined.
Above: Ruben Blades in the studio recording Cheo's latest work and a picture of the two singing with Fania All Stars in the early 80s.
We will miss you Cheo and I am grateful to have been raised on your music, voice and style. Descanza en Paz Caballero. Una voz de Borinquen que canta ahora en el cielo...aqui en este mundo seguimos tocando, bailando y cantando tu musica.
Here's a few videos of my favs from Cheo Feliciano.
Cheo Feliciano and Santana "El Raton."
As a little Puerto Rican girl raised in Minnesota's first Latino community (prodominantly Mexican) on St. Paul's Westside, I can recall the first moment I ever cherished and shouted the famous Cesar Chavez quote "Si Se Puede!" I was in my PM-Kindergarden classroom at St. Matthew's School on 497 Humboldt Avenue in 1992. I was drawing my weekly journal assignment, in which that week the bold letters on the chalkboard asked, "What do you want to be when you grow up?"
I was on a mission to share and showcase my answer to my teacher Mrs Dereburger. I remember I was seated by my childhood amigos Carlos Luis Mariani and DeMetrius Regino as we ate our fruit snacks and shared crayons out of the same box. Mrs. Dereburger passed by us to see our work. I held my colorful illustration with pride and said, "Look Mrs. Dereburger, I want to be a leader for my community, you know like the president, but more like my mom and Cesar Chavez!"
My teacher looked at me and smiled, yet taken away by my statement, she starred into my eyes and those of the 2 other brown elementary kids next to me who knew we were a part of a movement where we could dream and excell.
Growing up in the Twin Cities behind numerous podiums, strikes, political rallies, and gatherings at the Neighborhood House and Our Lady of Guadalupe's church hall; I remember the stories shared in our barrio by community leaders, educators and activist contributing time towards spreading knowledge about where our people came from, how our cultures connected, and why it is important to invite and accept diversity. I can still hear the voices of Gilbert de la O, Francisco y Ramona Rosales, Larry Lucio, Don Luna, Celia Highland, State Rep. Carlos Mariani and most of all my mother Elsa Vega-Perez during my early childhood memories ensuring me since a child that the "Si, se puede" not only stood for "Yes, we can," but also reflected the words "Never give up!"
Above: Gabe Rios, Hector Garcia, Willie Dominguez and Latino Veterans Celebrating Latino Legistlative Day at the Minnesota State Capitol on Cesar Chavez Day, March 31, 2014.
Those words "Si, se puede" registered on the frontlines of all those who fought to be valued, respected, and heard. It also taught us that our oral traditions shall no longer be sheltered in a generation learning the truth of war, the advantages of peace, and the importance of standing up for our rights. I am certain that every community leader and activist who mentored and educated me about they system and our place as citizens will agree and remind me of how far along we have risen together, but yet how much work we still have to do.
Above: Students from Academia Cesar Chavez with Executive Director Ramona Rosales on the far right.
Below: Yolotl, Son of Felipe Espinoza Day and Tania Galaviz De Espinoza expresses his excitement to see the movie Cesar Chavez.
Last Friday in downtown Los Angeles, I attended the premier for Cesar Chavez the movie along with rising Latino star Johnny Ortiz. We both felt appreciated that theatres nationwide were jammed packed and sold-out. Not only did it ensure more opportunities for Latino films in the industry, but it was also amazing to see Latino Hollywood represented by strong actors such as Michael Pena, Rosario Dawson, America Ferrera, Vicente Fernandez and so many others who continue to pave a way.
Actor Danny Trejo, (Machete star and someone I had the honor of working with) shared with me of the days when he was incarcerated during the famous UFW strike in rural areas such as Delano and Fresno. He and other prisoners at the time were forced to work the grapevine fields. Trejo stated that a large group of women stood on the side of the prison buses, and begged the prisoners not to pick, to strike with them, and in return the women would show the incarcerated men their breast for a quick peep show in honor of the movement.
Above: Latino Actor Danny Trejo
"Shoot, we were down for the movement regardless," stated Danny. "And Cesar Chavez's leadership encouraged me to study law as soon as I was out of prison. It was deep! We wouldn't be able to or be here doing what we do if it wasn't for strong people in the movement." -Danny Trejo
I continued to pay homage to not only Cesar Chavez the man, but also towards the movement he, along with many men, women, and children of Mexican and Filipino backgrounds represented. I drove up north and spent Sunday-Monday visiting those fields in Delano with acres of land full of grapevines and other produce. I walked over the footprints of Cesar and gave thanks to the spirits of the strong women, men and children who encourage me everyday to speak for our derechos.
We've came along way mi gente and as a Latina from the great state of Minnesota, I feel proud that this generation's children can see stories of our people's movements on the big screen nationwide and in schools. However, there was so much more to the UFW movement than the movie dipicted. However, let us cherish what was and continue to support creating more movies about the historical stories of our gente's accomplishments and struggles.
Let this be a reminder of the times we were told our people would never amount to anything, because of our last names, the language that we speak, the color of our skin and our financial struggles in this society. For all of these issues amongst many more are still relevant in the present as citizens, men, women, youth, elders, and veterans struggle with our countries divided viewpoints, man-made diseases and lack of healthcare.
Please read quotes of members who celebrate Cesar Chavez week and work everyday on continuing the legacy and pride of Cesar Chavez right in the Twin Cities. Let us build and continue to grow together in peaceful tactics through the arts, celebrating our elders and youth outreach by speaking up and listening to one another.
Si Se Puede! - Maria Isa
Cesar Chavez, the movie, showed that farm workers could bring about transformational change in their lives and the lives of their families through non-violent means and by having the courage to fight for civil rights. It will serve to educate new generations of people about what Cesar achieved, and what is yet to be accomplished in the struggle for Latino's rights in our country. Yet the greatest legacy Cesar left behind is seen in the continuing work of those pushing ahead the Latino movement for empowerment, drives licences, and legal residency in the US today.
CEO, Santamara Broadcaasting Inc/ La Raza 1400 am/1470 am
CEO, Midwest Latino Entertainment and Talent, Inc/ El Nuevo Rodeo Nightclub & Restaurant & 27th Event Center. Minneapolis. MN
(Photography by Marina Castillo).
Over the weekend I had an opportunity to take my family to see the new Cesar Chavez movie. It meant the world to me to be able to take my kids to a movie and have a teachable moment with them. To explain where our people come from and the struggles that we've had to go through. For the kids, it's a movie that shows them a leader that looks like them!-
-Felipe Espinoza Day
Cultural Arts Director, Danza Mexica Cuauhtemoc
It is important to rekindle the memory of Cesar Chavez primarily because Latino youth in the United States need role models to emulate. Latino education gaps must be bridged. Our students must carry on the “can do attitude” that has led this nation to achieve international distinction for so many years. Cesar Chavez inspired Latino and other farm workers to effect dramatic economic changes in the second half of the 20th century with his message “Si se puede!” He can inspire our students to make a difference in the 21st century with the same words; they are his legacy and are now a part of our Latino culture.
Executive Director of Chicano Latino Affairs Council
I felt that the film Cesar Chavez provided a narrow view of the farmworkers movement and the United Farm Workers as an organization. While America Ferrera attempted to claim agency as a strong Chicana, her limited role left her with few opportunities to illustrate the importance women played in the Movement. The lack of complexity around Chavez's negative feelings towards undocumented workers, as well as the lack of Filipino representation, left me overall disappointed. Yes, it's a victory to have a hollywood film represent Chican@ stories and have Latin@ actors on screen. But we deserve to see more than numbers. We deserve to hear a history that encompasses the numerous people involved not just one iconic hero. ¡Viva la huegla!
-Jessica Lopez Lyman
Performance Poet, Chicana and Chicano Studies Teaching Assistant, and PhD Candidate. UCSB.
A film about the UFW, the farmworkers' movement, even about Cesar Chavez himself, has the potential to be powerful, truthful, complex, and leave a legacy. This, unfortunately, is not that film, despite the fact that it focused on an important chapter in Latin@ (&, to an extent, Filipino) history.
-Emmanuel Ortiz Activist, Spoken Word Poet/ Member of Minnesota's Latino Spoken-word group Palabristas
Listen here to Maria Isa's Derechos
Dolores Huerta signs up members at the National Farmworkers Association founding convention, Fresno, California, 1962 (Photography by Joe Gunterman).
After a long fulfilling week at SXSW with over a handful of showcases and being an original St. Pauly girl, I only feel right to post a song honoring St. Patty's Day. Take a listen here to a song I was honored to collaborate on rappers/producers Muja Messiah and Bobby Raps for their Empire Status project. The Empire Status album was influenced by the prohibition-era gangster drama Boardwalk Empire.
While slamming your shots of Jameson and chasing it down with a tall glass of Guiness, enjoy and sing-a-long with the hook while you dance with the luck of the Irish, and ignore or participate in the crazy drunkeness happening all across American streets tonight.
"We run boardwalks to whisky in Ireland..
Started a fire with what we're blazing call a fireman...
Hear the grand piano, pistols, baby doll....
The world is yours and you can have it all!"
Muja Messiah and Bobby Raps (Photography by Tony Nelson)
Empire Status album available now on itunes https://itunes.apple.com/us/album/empire-status-bobby-raps-muja/id715034375
Follow Muja Messiah and Bobby Raps on Twitter:
The Twin Cities has a strong history of local musicians making their mark and taking over the SXSW Music Festival and this past Wednesday evening 18 year-old, South Minneapolis rapper Nazeem took charge of every minute he had on the mic.
Nazeem, who leaked January 1st, the first song off his upcoming mixture produced by Spencer Joles, was definitely a crowd favorite at this year's SXSW MN Hip Hop Showcase presented by Dante Entertainment at the 6th street Austin venue The Blind Pig.
"Performing at SXSW was a goal I had set 2 years ago, after releasing my first project The Coliseum at the 2012 Soundset," states Nazeem. "I was glad to have my family there supporting me and the crowd was really cool too."
Growing up on the Southside of Minneapolis, and graduating from Southwest High School last June, the rapper and songwriter born Nazeem Jalees Cunningham is now a student at Minneapolis Community and Technical College , and for 5 years has been working at Youthfarm, a non-profit organization focused on building youth led food movements in the Twin Cities. He was recently promoted as the Harvest Coordinator at his job, all while writing and recording his new mixtape produced by Spencer Joles.
His name is being heard around the Twin Cities as a best kept secret. With a feature on his father, veteran rapper Muja Messiah's upcoming project God Kissed It The Devil Missed It and this May's release of Atmosphere's Southside album, the new kid out the booth is bound to collect a fan base while educating a new generation of hip-hop fans through revolutionary bars set to shake your mind and tell a story.
"Nazeem killed it at the MN Hip Hop showcase here at SXSW! He had the crowd focused and responding to his catchy hooks like his songs were already a billboard hit on the radio," expressed Twin Cities producer, rapper and friend Bobby Raps of Audio Perm who took part in DJ-ing Nazeem's debut set at SXSW.
Nazeem performs at the SXSW MN Hip Hop Showcase. (Video by D.Potts/T.Mortenson)
I am proudly looking forward to hearing more from my favorite new Minneapolis rapper and seeing his career as an artist and activist grow on stage as well as in the hip-hop community.
Party and Power to the People y'all! -M.I.
Be sure to check out Nazeem's music available athttp://fifthelementonline.com/products/nazeemthecoliseumepcd
and his latest release "January 1st" https://soundcloud.com/spencerjoles/january-1st-nazeem-prod