This blog covers everything except sports and gardening, unless we find a really good link about using dead professional bowlers for mulch. The author is a StarTribune columnist, has been passing off fiction and hyperbole as insight since 1997, has run his own website since the Jurassic era of AOL, and was online when today’s college sophomores were a year away from being born. So get off his lawn.
Chances are no World Cup game will end like this:
On an evening in January A.D. 532, pandemonium broke out in the Constantinople Hippodrome, a U-shaped chariot racetrack surrounded by stadium stands. Two factions, the Greens and Blues—the predecessors of today’s soccer hooligans—broke into a fight. When the rest of the spectators dashed to escape, many became trapped by the rushing crowd, couldn’t reach the exits, and were trampled and killed. That incident was the start of the Nika riots that almost ended the rule of Eastern Roman emperor Justinian the Great.
The article discusses what humans might learn from ants when it comes to not dying in a stampede, but i was struck by the reference to the Greens and the Blues. There were two others. From Roman Mysteries:
There were four major teams called "factiones": the greens ("prasini"), the reds ("Russata"), the whites ("Alba" or "Albata") and the sky/sea blues ("Veneti" or "Veneta"). Roman writers suggest that the colours were inspired by the colours of the four seasons of the year.
This tradition went back to the Republic, if I recall correctly - and that means that the names of the factions of a major sport were unchanged for over half a millenium. Which is like opening the newsfeed in 2514 and reading about the Vikings.
The New Republic notes that the great Argentinian writer Borges hated soccer; many Romans hated the chariot races, for the same reasons. PBS:
. . . not everyone was such a fan. Like the gladiators, chariot races were popular sports for the Roman masses, not the social elites, who disliked the mob behavior of the fans and found the sport unremarkable and childish.
One exception was the Emperor Nero. He was passionate about horses and even drove his own chariot. Nero’s enthusiasm for such a lowly sport scandalized Rome's elite, but endeared him to the masses. The historian, Tacitus, sneered at the mob for this: "For such is a crowd — eager for excitement and thrilled if the emperor shares their tastes."
Typical Nero. He also scandalized the upper classes by appearing in theatrical productions, which simply was not done, and some later historians suggest that the reason he has such a mad-man reputation has to do with his conspicuous enjoyment of plebeian diversions. It was immoral and low.
Well, that, and the whole murdering-his-mother business. And burning Christians in baskets. But we’re talking about post-Augustus emperors, who didn’t exactly follow an upwards trajectory in terms of acumen and quality.
ART Gorgeous little video game based on 30s cartoons:
If this does well, it would be great to see Cuphead in other cartoon eras as well, right through the ultra-cheap Hanna-Barbera era. Even as a very small kid I noticed that when Fred Flintstone ran through the house the same table and chair repeated behind him about six times. So either Fred’s house was very long - something belied by the exterior shots - and he has spaced identical pieces of furniture down the long corridor, or they were just reusing the pictures.
In related news of the era, sort of: (well, not really), AVClub asks “A Century Later, Why Does Chaplin Still Matter?”
The article doesn’t really answer the question. Another question comes to mind: does he? The comments immediately get into the Chaplin vs. Keaton struggle, with the inevitable minority opinion for Lloyd. All were great, and each were different; no need to compare. Except that Keaton and Lloyd never really came up with anything like the ending of “City Lights,” which has been scientifically proven to melt stone. Although Chaplin never had a thrill like the last sequence of “Safety Last,” and -
Oh, never mind. Here’s some Harry Langdon.
Thrill comedy: a genre in need of revival.
SPACE There are four possible reasons the “Magic Island” has appeared on Titan.
Northern hemisphere winds may be kicking up and forming waves on Ligeia Mare. The radar imaging system might see the waves as a kind of “ghost” island.
Gases may push out from the sea floor of Ligeia Mare, rising to the surface as bubbles.
Sunken solids formed by a wintry freeze could become buoyant with the onset of the late Titan spring warmer temperatures.
Ligeia Mare has suspended solids, which are neither sunken nor floating, but act like silt in a terrestrial delta.
It looks like this.
Won’t we be surprised some day if Titan launches a rocket to explore Europa.
FUN Boston Globe: How the Amusement Park Hijacks your Brain. Warning: it doesn’t to anything like that at all. Let’s try another way of putting it: amusement parts are “perfectly engineered to push psychological buttons you didn’t even know you had. Here’s how.” Bottom line: did you know that a lot of thought and effort goes into amusement park design? It’s true!
Related: did Disneyland inspire better downtown architecture? I'd say no, because cities kept mauling downtowns for decades after it was opened. But it's a nice thought.
VotD Close-call compilation. Yikes.
|Arts (1)||Books (2)|
|Architecture (170)||Movies (5)|
|Music (2)||Theater (1)|
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|Cats (1)||Flood (1)|
|Gripes (131)||Minnesota History (128)|
|Minnesota Parks (3)||Newspapers (31)|
|Outstate (184)||Photos (82)|
|Praise (179)||Restaurants (52)|
|Holiday shopping (1)||Holidays (6)|
|Locally-produced food (2)||Advertising claims (1)|
|Government spends your money (2)||State fair (25)|
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|Celebrities (3)||Minnesota musicians (1)|
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|Television (18)||Art (3)|