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MIAMI — The simple Peanuts comic strips expressed so much, as Charlie Brown laid awake in bed at night worrying about life. Or sought professional help for his sadness, paying a nickel per session at a psychiatric stand. Or was convinced he could kick that football, only to have Lucy once again pull it away at the last moment, with Charlie Brown landing flat on his back.

For half a century Charles Schulz poured himself into the daily strip that resonated with countless people. But even the biggest fans may not realize the extent of how much his own life, experiences and insecurities played into Peanuts, which became the most successful comic strip of all time.

This month, more than seven years after Schulz's death, two deeply personal looks at his life may change that.

On Tuesday, a hefty biography went on sale in bookstores, written with the cooperation of his family, which allowed full access to his studio and papers.

On Oct. 29, the PBS series "American Masters" will premiere Good Ol' Charles Schulz, an intimate 90-minute look at his life.

Both weave a portrait of Schulz that at times is painful, revealing new details about his life. They're also extremely insightful, especially for anyone who has regularly followed the comic strip.

"Schulz was in many ways guarded and this book and this film probably could not have happened while he was alive," said David Van Taylor, who wrote and directed the film.

"In some ways, I found the family and particularly his widow Jean to be themselves kind of searching to make sense of his life and legacy."

The two projects are coming out independent of each other, although "Schulz And Peanuts: A Biography" author David Michaelis served as a consultant and was interviewed for the documentary.

As an only child growing up in St. Paul, Minn., Sparky, as Schulz was called, was a smart, though extremely quiet boy, who set a goal of becoming a syndicated newspaper cartoonist at age 6.

Like Charlie Brown, Schulz's father was a barber and his mother was a housewife. And of course, as a kid he had a beloved dog named Spike who became the basis for Snoopy.

Schulz was very close to his mother, who is described as being loving, while not very self-assured. But as a teenager, his life got darker when his mother became sick. The young man did not know at that point that it was cervical cancer, only that she was in a lot of pain.

"For those very tender years of high school he struggled with his mother's illness not really knowing much about it or it being given a name," Michaelis said in an interview.

At nearly the same time as her death, Schulz was drafted into the Army in World War II and put on a troop train heading out of town. The book quotes the man sitting in the seat beside him as saying Schulz seemed "deep in his own misery."

After leading a machinegun squad through Europe, he returned to Minnesota and pressed ahead with his cartooning, relentlessly sending out submissions.

Schulz found a job as an instructor at an art correspondence school, where he met many of the people who would become the core characters of Peanuts. Featured in old home movies shown in the documentary is a fellow instructor named Charlie Brown, who indeed had quite a round head. Another colleague there, who was interviewed for the documentary, was named Linus; even as an older man, there is still quite a resemblance to the security blanket-carrying child who became the philosophical one in the strip. Many others in Schulz's life, including his own children, inspired additional characters.

But while names and physical attributes came from those around him, most of the characters in Peanuts embodied different parts of Schulz's own personality.

One of the most intriguing segments of the film is seeing the woman who broke Schulz's heart and was the inspiration for the Little Red-Haired Girl. The character, unseen in the strip, came to epitomize unrequited love as Charlie Brown watched her longingly, often from the other side of the playground, trying to get up the nerve to go talk to her.