'Miss Saigon': Two views of the touring Broadway musical

  • Updated: October 4, 2013 - 3:11 PM

A touring version of the Broadway musical “Miss Saigon” opens Tuesday at Ordway Center. It has drawn criticism, including at a recent community forum in St. Paul. We asked Patricia Mitchell of the Ordway and Twin Cities writer David Mura to explain their views of the show.


Tam (Ashley Chan), Kim (Jennifer Hubilla) and Thuy (Bryan Geli in the number "You Will Not Touch Him" from "Miss Saigon."

Photo: Michael Brosilow,

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A complex story


Like many other theatrical works, the Ordway’s upcoming presentation of “Miss Saigon” has sparked both excitement and criticism. For an arts organization, this is inevitable. Just as the Ordway should be sensitive to all community perspectives, we also have a responsibility to present works which inspire reflection and conversation.

“Miss Saigon” is a significant piece of musical theater, with a 25-year history. Its longevity stems from being a tragic story imbued with many layers of meaning. It is a story of specific characters, in a specific time and place, but it also presents complex issues — real questions about life. Set at the end and in the aftermath of the Vietnam War, “Miss Saigon’s” themes are in many ways universal and remain relevant even now.

After the long wars in Iraq and Afghanistan, and recent debate about intervention in Syria, how timely it is to have a new production of “Miss Saigon.” It shows us how war forever alters the lives of ordinary people from different cultures who are improbably set on a collision course. It reminds us how individuals uniquely view the same events.

For some, “Miss Saigon” is a story that painfully perpetuates stereotypes. For others, it is a searing condemnation of America’s involvement in Vietnam or war in general. For others, it is a tragic love story. Some would deny theatergoers the chance to experience the complexity and relevance of “Miss Saigon.” But the Ordway believes it is important for audiences to judge the story for themselves, even while acknowledging the deep pain that some people feel in response to the show.

We encourage community conversations about the issues presented in “Miss Saigon.” As we do for our other performances, we will host a pre-show “Ordway Extra” and a post-show “talkback” so that people of all opinions can openly and respectfully discuss the piece.

We at the Ordway work hard to present diverse artistic programming. Audiences appreciate our ability to present work of various perspectives, from many different cultures and artistic mediums. They also appreciate intelligent, nuanced, thought- and emotion-provoking productions. The fact that “Miss Saigon” elicits passionate conversation and debate is a testament to the timeless, and timely, power of story and art.


Patricia Mitchell is president and CEO of Ordway Center.


Trafficking in stereotypes


Picture a community with a history of environmental problems. A polluter dumps more toxins and says, “You should thank us; we’re sparking conversations about pollution.”

This is how the Ordway defends hauling in the toxic sludge of “Miss Saigon” a third time, despite protests by the Asian American community at the two prior productions.

“Miss Saigon” lies about human trafficking. It glamorizes a brothel encounter between an underage 17-year-old Vietnamese prostitute and an adult American G.I. It calls the encounter a love story. Prostitution is not a love story.

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