Young Jean Lee's Theater Company performs "Untitled Feminist Show" in the nude. And while physical nakedness plays a key role in this premiere from New York-based playwright Lee, the seriously smart work exceeds its bare hype. From the moment the performers first walk down the aisles, softly breathing together, it's clear that what really gets stripped away in this first offering of the Walker Art Center's Out There series are the seemingly sacred notions that serve to define -- and limit -- how we see other people.

"Untitled" is a nearly wordless work conceived and directed by Lee, an artist who has earned wide acclaim for her way with words. And yet so much gets said. Movement is the primary means of expression. No vocal embellishment is required to accomplish the work's goals of re-examining female ideals while demolishing gender stereotypes and roles (Faye Driscoll, Morgan Gould, Lee and the company members created the choreography).

Becca Blackwell, World Famous *BOB*, Amelia Zirin-Brown (aka Lady Rizo), Hilary Clark, Katy Pyle and Regina Rocke perform with total commitment, driven by an outright refusal to be categorized (and thus diminished) by the judgmental gaze of others. Lee cast the show with women from the worlds of experimental theater, postmodern dance, cabaret and burlesque. Collectively they share freely from their genres, pushing one another toward an exciting hybrid performance experience in the process.

Is it a work about feminism? Sure, but this concept is really a departure point for establishing playful contradictions, biting satire, fresh rituals and provocative commentary about expected feminine and masculine roles.

At times the performers are like a feral pack, devouring their own. They tote pretty pink parasols and leap like nymphs a la Isadora Duncan. They juxtapose nurturing movements (rocking a baby, making a meal) against hardcore rap. Sex acts are mimicked and then mocked with sly wit. Heavy metal music sets off cathartic head banging. A slow-motion fight scene provokes a variety of reactions, from bloodlust to angst.

And yes, they do it all without a stitch of clothing. The performers' bodies are splendid in diverse shape and unique in capability. Their physicality is a constant presence but not for the obvious reasons. It is the powerful -- and empowering -- relationship forged amongst this tight-knit band of fearless artists that is the true cause for celebration.