Dance review: Fresh and intriguing works on tap at the Lab from ARENA

Competing aspects of masculinity are central to ARENA Dances' performance at the Lab in Minneapolis this weekend. In a new quartet and solo, choreographer Mathew Janczewski explores the conflict between outward displays of bravado and interior doubts, offering a fresh exploration of issues ranging from the interplay of rivalry and teamwork to complicated expressions of love.

"Huddle" features Gabriel Anderson, Stephen Schroeder, Duncan Schultz and Galen Treuer in business attire. They swagger, tossing in a fist bump while dancing aggressively to 65daysofstatic and Radiohead, but Janczewski reveals their underlying uncertainty. The men manipulate pieces of wood into small boxes within which to move -- trapped, perhaps, in maintaining an image for others. They grapple like rugby players, but the rough physicality turns tender. Throughout, Janczewski skillfully exposes the dark underside of a survival-of-the-fittest mentality, and his choreographic choices reflect the frustration of repressed desire and a longing for the true self.

"Damn this wild young heart" provides a dramatic counterpoint to "Huddle." The solo marks Janczewski's return to the stage after three years. He remains a fiercely intelligent dancer who shades his movement with graceful athleticism, and it's a treat to see him perform again, especially in such an intimate work.

Janczewski uses favorite music of his youth, such as Depeche Mode, to underscore a lightness of being, but there's a twist. He removes clothing, dons clown makeup and motorcycle boots and moves in a more methodical, physically provocative manner. When he pours milk over his head and falls to the floor shuddering, it feels like the completion of a vicious cycle. Surrendering to someone else requires personal exposure and the process of revelation can be draining.

ARENA's female members aren't forgotten with the local premiere of "Everything Reflects." Julie Brant McBride and Stephanie Laager mirror each other in an exceptionally strong duet set to industrial music by David Lang. There's an underlying tension -- the dancers support one another but they also fling away their bodies or whip through turns at close range. The power struggle -- and eventual acceptance of roles -- makes this piece a fascinating study of relationships.

The evening includes two group works: "Short Fall" and "I need you now to abandon me ..." exemplifying Janczewski's gift for filling space with physical and emotional moments that matter.

Caroline Palmer writes often about dance.