How to measure the Guthrie Theater's two-month celebration of Tony Kushner?
The theater issued a news release Monday that declared the festival "a success!" It noted that ticket holders for three productions, seminars, classes and workshops totaled 90,000 -- from 50 states, Europe and Japan. The shows themselves drew more than 85,000 attendees, which the theater said "exceeded [its] box office goals."
The festival added $2 million to the Guthrie's budget, an amount covered by ticket sales and donors.
Beyond numbers, though, the Guthrie launched a world premiere, showed national audiences the quality of Twin Cities actors, handled three simultaneous productions smoothly and scored some national press. Kushner's new play, "The Intelligent Homosexual's Guide to Capitalism and Socialism With a Key to the Scriptures," is headed to New York for a workshop under the auspices of longtime Kushner confidant Oskar Eustis at the Public Theater and a possible Broadway production in 2010.
However, that happy development caused the festival's greatest blunder -- urging out-of-town critics to abstain from seeing the Minneapolis production.
Too, the Guthrie benefited from the presence of major directors Michael Greif ("Intelligent Homosexual") and Tony Taccone ("Tiny Kushner"). Greif was nominated for a Tony for directing "Next to Normal" shortly before he picked up this project. Kushner also brought in prominent actors Linda Emond, Kathleen Chalfant and Stephen Spinella. Having them here further solidifies the Guthrie's reputation nationally.
Mike Nichols, who directed Kushner's "Angels in America" for HBO, watched "Caroline, or Change" and the Guthrie's new play.
Photo right: Mike Nichols
Theater review
In "The Intelligent Homosexual," Tony Kushner wrestles with questions of what defines a meaningful life, but the work feels unfinished and uncertain of its own purpose.