REVIEW: The wartime comedy “Queen and Country” is a delightfully whimsical portrait of 1952 England, a time and place of class discord that’s both uproarious and politically pointed. Updated Apr. 16, 2015
REVIEW: Who’s going to speak out against the flagrant and wanton misuse of talented comedians in “Paul Blart: Mall Cop 2?”
REVIEW: Disney's latest nature film is an entertaining look at caste systems in the animal kingdom.
REVIEW: Not since “The Blair Witch Project” in 1999 has a horror film taken such a creative approach to conjure scares as “Unfriended.”
Laurie Hertzel is senior editor for books at the Star Tribune, where she has worked since 1996.
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The success of the 2012 Oscar-winning documentary “20 Feet From Stardom” may have reopened the door for “The Wrecking Crew,” about the anonymous Los Angeles studio musicians who played on scores of hits of the 1960s.
REVIEW: The bestselling author's latest love story, “The Longest Ride,” is spoon-fed entertainment, but it tastes pretty good.
REVIEW: "Furious 7," the follow-up to the sequel to the sequel to the sequel to the sequel to the sequel of the launch of the high-octane adventure yarn, is dumb, but it’s also enjoyable.
REVIEW: Noah Baumbach’s brisk new comedy “While We’re Young” is very funny and sublimely morbid about topics invisible to modern movie humor.
The Guthrie Theater is getting ready to transition from the venerable Joe Dowling to incoming leader Joe Haj. Theater leaders across the spectrum share their insights on what they hope to see from the Minneapolis institution.
Updated 2:34 PM
Britt McHenry, the ESPN reporter who was suspended for a week after she was caught on video berating a towing company employee, has just gained an unlikely ally: The towing company itself.
Updated 10:54 AM