If you’re looking forward to “How to Train Your Dragon 2,” premiering Friday, you’ll be pleased to know there’s already a sequel out — in print.
English publisher Titan Comics has launched a new series chronicling the adventures of Hiccup, Toothless and the rest, in the digest size (9 by 6.5 inches) popular among children’s graphic novels. “DreamWorks’ Dragons: Riders of Berk — Dragon Down” ($6.99) is written by Simon Furman. The story involves Hookfang the dragon shedding scales in spring — red-hot scales that set fire to the wooden huts of the Viking village Berk (presumably short for “berserk,” a word coined for certain Viking warriors). Stoick the Vast, Berk’s leader and Hiccup’s father, exiles the unfortunate dragon — much to the distress of its rider, Snotlout.
What follows is a timeless tale of friendship and sacrifice, wherein our heroes learn that the latter is a necessary part of the former. It’s a great message, but one inserted so painlessly into a rousing adventure tale that it’s a fun read for adults and children alike.
“Dragon Down” is illustrated by Iwan Nazif, who eschews the animated-puppet style of the movie for a more traditional form of cartooning. Yet the familiar faces and postures are captured so well that you half expect the familiar voices (Jay Baruchel, Gerard Butler, Craig Ferguson, America Ferrera, Jonah Hill, Kristen Wiig, etc.) to come out of their mouths.
At least three more books in the “DreamWorks’ Dragons: Riders of Berk” series are planned, including “Dangers of the Deep” (Aug. 26), and unnamed Volumes 3 (Nov. 18) and 4 (Feb. 24, 2015). Titan also has two “art of” coffee-table books for the two movies, all joining a cottage industry of “How to Train Your Dragon” videos and books, although the latter are mostly aimed at the preschool set.
Here are some other recently released Titan tomes of interest:
“Star Trek: The Art of Juan Ortiz” ($39.95): If every episode of the original “Star Trek” series had been released as a movie, what would the posters look like? That admittedly weird idea gave rise to 80 fantastic movie posters by veteran artist Juan Ortiz. Feeling unfulfilled creatively at the end of 2011, according to the book’s foreword, he embarked on the project essentially for practice. Pleased with how the first 40 turned out, he contacted “Star Trek” licensing officers at CBS, who were enthusiastic.
The posters are mostly done in a period style that Ortiz describes as “retro,” but what designers would call a blend of midcentury modern and Space Age design. In animation terms, think “Jetsons” as opposed to “Yellow Submarine” — more late 1950s and early ’60s than the later Peter Max era (although there is a touch of that). In comics, think Darwyn Cooke as opposed to Jim Steranko. Ortiz even includes notes for each poster in the back, explaining his approach and intent.
“I have an eclectic taste,” Oritz said. “I think it’s just a compilation of things that I’ve appreciated, explored or filtered into my brain for almost 50 years. I had always liked Russian film posters, but I really liked the Dutch and Swedish posters I recently discovered. Also the work of old and current designers, like Joaquin Pertierra and Andrew Lewis, that I may never have heard of had I not started this project.”
“Crazy4Cult: Movie Art 2” ($34.95): Gallery 1988 is a Los Angeles art gallery that displays fine art based on movies. That may sound like a contradiction in terms, but the result is high-quality painting and sculptures.
“Movie Art 2” is the second book collecting photos of the gallery’s offerings, and it is a spectacular mix of paintings, sculptures, acrylic on wood and some very mixed-up mixed media. All this effort is focused on fan-favorite movies such as “A Clockwork Orange,” “Monty Python and the Holy Grail,” “Plan 9 from Outer Space,” “Shaun of the Dead,” “The Shining” and “Willie Wonka and the Chocolate Factory.”
Also, there’s a goofy foreword by Seth Rogen, one of the gallery’s many famous patrons from the movie industry.
By turns silly, charming and stunning, the book is well worth getting for movie fans who can’t afford Gallery 1988’s prices — which is probably all of us.