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Internationally known Minnesota wildlife artists Joe, Bob and Jim Hautman have proved so popular that the Minnetonka Center for the Arts is extending its show of their work through Tuesday, October 29. This adds three days to the exhibit which was originally scheduled to close October 26.
The brothers will also sign reproductions of their artwork at a public reception from 6 p.m. to 8 p.m. Thursday, October 24. Prints of their images will be available for purchase that evening.
Organized by architect Jim Dayton, the exhibit is the first in which the guys have shown their work together. It features about 100 paintings of birds, game animals (deer, bear, lions) and even pets plus sketches and photos of work in progress. Fans of their meticulously observed nature studies have an unprecedented opportunity to see original paintings that have been reproduced on thousands of popular duck stamps over more than 20 years. Read a Star Tribune review of the show here.
Together the three brothers have won an unprecedented 10 Federal Duck Stamp competitions. Sales of duck stamps, which are essentially federal hunting licenses for migratory waterfowl, raise about $25 million annually for the preservation of marshes and watersheds for migratory birds and human enjoyment.
Aspiring designers apply from top colleges and universities around the country and world for the opportunity to intern in Walker Art Center's design office, founded by Mildred "Mickey" Friedman. The year-long internship, which is now accepting applicants, has been named the Mildred S. Friedman Design Fellowship after Friedman who headed the department from 1970 until her retirement in 1991.
Among her pioneering exhibitions were shows of furniture and designs by L.A. architect Frank Gehry (1986), the historic DeStijl movement (1986), and "Tokyo: Form and Spirit," an innovative 1989 exploration of Japanese culture that was co-organized with her husband Martin Friedman, then the museum's director.
Prior to joining the Walker, Mickey had worked as a designer for Minneapolis architect Robert Cerny. In consultation with architect Edward Larrabee Barnes she designed furniture for the museum's 1971 building, and then developed an expansive design program for the Walker. Throughout the 1970s and '80s she edited Design Quarterly, a quixotic and influential Walker publication that dealt with everything and anything design-related from Julia Child's kitchen to typography and the course of the Mississippi River.
In 1980 she established the Walker's design internship program whose participants engage in all aspects of museum work from designing brochures and publications to exhibitions and public spaces. Graduates of the program have gone on to work at Apple, Dwell, Nike and other firms and museums, to open their own studios, and to teach at colleges and universities around the country.
CAROLINE PALMER, SPECIAL TO THE STAR TRIBUNE
Choreographer Karen Sherman may be the Twin Cities’ answer to Emmy/Tony Awards host extraordinaire Neil Patrick Harris. On Tuesday night she emceed the 2013 Sage Awards for Dance at the Cowles Center and revealed a natural gift for keeping the show running smoothly while supplying a steady stream of wry one-liners.
Strolling to center stage with live DJ (and dancer) Greg Waletski providing a musical cue from his decks, Sherman modeled her tartan kilt ensemble and declared it a find from “Dolce and G’Savers.” After making the obligatory Miley Cyrus reference (“Improvising is the new twerking”) Sherman got down to the business of the evening, that is honoring all the artists who contributed to the vibrancy of the local dance community over the past 12 months.
This is the ninth year for the ceremony. Since its inception 127 panelists have seen more than 2,300 performances. The awards are named for Sage Cowles, a choreographer, performer and philanthropist who has supported dance over the years (including major funding for the Cowles Center with her late husband John). Aside from awards, the event features performances by past recipients. Last night Emily Johnson, Katie Johnson of Minnesota Dance Theatre and members of Shapiro & Smith Dance stepped into the spotlight. And the late choreographer, teacher, researcher, blogger and all-around nation dance expert John Munger was honored with a moment of silence.
This year’s program had a special emphasis on dance education, with Julie Kerr-Berry, Dance Program Director, Minnesota State University, Mankato giving the opening address. She urged the audience to think about all the teachers helping others to learn to dance everywhere from public schools to suburban studios and college campuses. “Dance is a powerful medium,” she said. “To dance makes us think differently about ourselves.” Sage panel member Judith Howard (who teaches at Carleton College) reflected fondly on her own childhood dance teacher Miss Shirley: “She had a lot of pizzaz and a questionable reputation.”
But when artist educator Florence Cobb took the stage to accept her special citation, the force of history behind Kerr-Berry’s words became especially poignant. Cobb founded the Mankato program in the 1970’s. Wearing biker-ready black leather pants and boots, the octogenarian accepted her award with a few wise words: “I’ve shared time and space and energy with all of you. And that’s all it’s about on this earth.”
Choreographer Chris Schlichting was the big winner of the evening, scooping up two awards, both for “Matching Drapes,” which premiered at Red Eye Theater in February (one for Outstanding Dance Performance and the other for Outstanding Design, shared with the team of Terrance Payne, Max Wirsing, Justin Jones, Morgan Peterson and Heidi Eckwall).
Hip hop received notice with two awards: Jason Noer for organizing the annual Groundbreaker Ballet Festival at the Cowles (Outstanding Dance Performance) while “We’re Muslim, Don’t Panic,” featuring the cast of “Mourning in America” (Amirah Sackett, Iman Siferllah-Griffin and Khadijah Siferllah-Griffin) garnered the Outstanding Dance Ensemble Award. Choreographer Sackett (whose collaborators are both just 15 years old) honored the pioneers of hip hop – “the brown and black people of the Bronx” – but acknowledged her crew is blazing new ground in the genre. “We’re three Muslim women,” she said. “And that’s not without controversy.”
From left: Sage winners Khadija Siferllah-Griffen, Amirah Sackett and Iman Siferllah-Griffen.
Other awardees included choreographer Megan Flood for “Folding in Wings” (Outstanding Dance Performance), musician/composer Butch Thompson (Outstanding Design for “Destination Twin Cities” choreographed by Sarah LaRose-Holland), Suzanne River (Outstanding Dance Educator), and Kenna Cottman, Jim Lieberthal and Sally Rousse (all in the Outstanding Dance or Performers category) Lieberthal, a longtime performer who won for his work in “Listen” created by Rosy Simas, vowed to continue dancing. “There’s always so much more to learn.”
Myron Johnson and Ballet of the Dolls were nominated in the Outstanding Dance Performance category for “Venus and Adonis” and while they didn’t win, the troupe and their entourage were among the best-dressed in attendance. Johnson himself sported a look somewhere between commodore and pirate. No one wears glamour and glitter like the Dolls, although past Sage award-winners Tara King, Theresa Madaus and Monica Thomas of Mad King Thomas were a close second in their sparkling gowns and feather boas.
But Sherman had the last word on the sartorial front. She came out wearing a blanket fastened together with some clips filched from backstage. “That’s a wrap,” she announced at the end of the show. Somewhere downtown a rimshot echoed into the night.
In "Captain Phillips," Tom Hanks plays Merchant marine Capt. Richard Phillips, right. Photo: Dave Allocca, AP
Hijacking survivor Richard Phillips, whose capture by Somali pirates inspired the Tom Hanks film “Captain Phillips,” will be the featured speaker at Beth El Synagogue’s "Heroes Among Us" series Sunday, Dec. 8.
In April 2009, the Merchant marine commander became the center of an extraordinary international drama when his cargo ship was captured off the Horn of Africa, the first hijacking of a U.S. vessel in more than 200 years. Phillips spent five days in a cramped lifeboat with desperate gunmen before he was rescued by the U.S. Navy. His 2010 book “A Captain’s Duty: Somali Pirates, Navy SEALs, and Dangerous Days at Sea” inspired the film’s screenplay.
His appearance will include remarks followed by a moderated question and answer session.
A portion of the evening’s proceeds will benefit Beth El Synagogue’s Minnesota National Guard unit adoption initiative, assisting the 849th MAC (Mobility Augmentation Company).
The synagogue’s series opened last year with CIA master of disguise Tony Mendez, of “Argo” fame, as the inaugural speaker.
Tickets are $36 - $360; $18 for those with valid military ID. Family members of deployed 849th MAC soldiers can attend this event free of charge by contacting FRG Leader Mary Reitsma at 320-894-8945 or email@example.com.
More information and tickets are available online at www.besyn.org/captainphillips or by calling (952) 873-7300. Beth El Synagogue is located at 5225 W. Barry St., St. Louis Park.
Comedy legend Don Rickles canceled his Nov. 9 show at Mystic Lake Casino Hotel.
A statement from Rickles press agent said, “On doctor’s orders, while recuperating from treatment for a leg infection, Mr. Rickles has been instructed not to fly for at least the next six weeks making it impossible for him to make the trip from his Los Angeles home to Prior Lake, Minnesota for this engagement.” Rickles is 87.
Since a later show has not been scheduled, the casino says refunds are available at the point of purchase. For more information regarding refunds contact Ticketmaster at 800-745-3000 or visit the Mystic Box Office Mondays through Saturdays from 10 a.m. to 8 p.m. or Sundays from noon to 8 p.m.