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"Time, time. What is time? Swiss manufacture it. French hoard it. Italians squander it. Americans say it is money. Hindus say it does not exist. Do you know what I say? I say time is a crook," mutters Peter Lorre apropos of absolutely nothing in "Beat the Devil," John Huston's brilliant 1953 parody of crime-sex-comedy-adventure films.
With an all star cast (Humphrey Bogart, Gina Lollobrigida, Jennifer Jones, Robert Morley and others too numerous to mention), the movie is a cult classic that deserves its own little Northern Spark revival just for the delicious pleasure of hearing Lorre's daffy riff on time.
It would be the perfect accompaniment to Christian Marclay's "The Clock," a 24-hour-long work of genius that Walker Art Center plans to run June 14 -15 as part of Northern Spark, the dusk-to-dawn art festival that this year bounces back to Minneapolis after a season in St. Paul.
In "The Clock," Marclay splices together 24 hours of second-by-second images of clocks clipped from other movies, each of them moving inexorably and sequentially through a day and a night and a day again as time passes. There are wrist watches, digital alarms, tower clocks, train-station clocks and more snipped from murder mysteries, romantic comedies, adventure tales and every other type of cinematic encounter in which someone, somewhere glanced at a timepiece while marking time waiting for something to happen.
As "Beat the Devil" screen-writer Truman Capote said, through the lips of Lorre, "Time is a crook."
Walker has booked "The Clock" from 11 a.m. Saturday to 5 p.m. Sunday. That's a long 24 hours, perhaps broken up by popcorn and bathroom breaks?
The Textile Center in Minneapolis is seeking a new executive director following the resignation of Tim Fleming after 18 months in the post. Fleming succeeded founding director Margaret Miller who retired in June 2012.
"Our plan right now is to hire an interim director, and we're hoping to name someone within the next couple of weeks," said board chair Donna Peterson, a retired University of Minnesota associate vice president for government and community relations. "We really have not had time to decide what we want in an executive director, so we want to take our time and be sure to do it right."
The organization's programs and $831,000 annual budget are stable, Peterson said. Fleming simply resigned "to pursue other opportunities" she said.
"We just had a benefit fund raiser to celebrate our 20th birthday fund raiser and exceeded our goal," said Peterson. The organization hoped to raise $20,000 with the gala, but brought in $22,000.
The Center at 3000 University Av. S.E., runs an exhibition gallery and a shop selling hand-made clothing and textile crafts, and offers lectures, classes and other programs in the textile arts ranging from weaving, crocheting and basketry to fabric design and dying. It's classrooms and facilities serve members of 40 craft guilds throughout the state.
Matisse's "Large Reclining Nude," 1935
Break out the berets and head over to the Minneapolis Institute of Arts for a free stroll through the popular "Matisse: Masterworks from the Baltimore Museum of Art," show. Adult tickets for the special exhibition are normally $16 weekdays, $20 weekends, but for one night it will be free. Tickets are timed and limited in number, however, so savvy art fans will arrive early for the 6 p.m.-9 p.m. event March 20.
For this "Third Thursday" program the museum is embracing all things French. The Alliance Francaise Mpls/St. Paul will offer informal French lessons in the galleries. Arty types can "draw with scissors" as Matisse did when nipping out his famous and very colorful cutouts of dancers cavorting in space. Museum visitors will be encouraged to confine their cutouts to post cards or collages, however.
And everyone will be encouraged to indulge in a selfie with a life-sized cutout of Matisse in the MIA photobooth. Or visitors can take self-portraits in a life-sized replica of one of the artist's paintings. Music wiil be provided by the Atlantis Quartet, a modern jazz group.
The "Matisse" show features paintings and drawings from the collections of Claribel and Etta Cone, wealthy Victorian-era Baltimore women who were introduced to Matisse at the Paris salon of writer Gertrude Stein. Over 40 years, the sisters bought more than 500 paintings, drawings and sculpture by Matisse that they later bequeathed to the Baltimore Museum of Art. The Institute's show is on loan from the Baltimore institution through May 18.
Newly engaged Saga Blane and Jake Jeppson at the Cowles Conservatory in the Minneapolis Sculpture Garden "still processing" the special moment, Jeppson said.
When Jake Jeppson and Saga Blane walked into the installation "and still this" on Valentine's Day during opening night of the Jim Hodges exhibition "Give More Than You Take" at Walker Art Center, they loved it so much that they decided to come back when it wasn't so crowded. When they did, Jeppson had one more thing on his mind besides basking in the cozy glow of the Hodges work, consisting of ten tall Gessoed panels painted with 23- and 24-karat gold and arranged in an open circle, creating the effect of a golden womb. Back inside it, he took out an engagement ring and asked Blane to marry him.
"We stepped in and were transported into this warm and quiet place where it was just the two of us -- and the security guard peeking as I got on one knee," Jeppson said. Blane's immediate response was "Are you kidding me?" and then "WHAT?" he said. "She was kind of loud about it. But she finds a spirituality in those kinds of spatial experiences, plus she's a lover of all things gold."
The couple recently moved to Minneapolis because Jeppson, a graduate of the Yale School of Drama who has had three plays produced, is a 2014-15 Jerome Fellow at the Playwrights' Center. Blane, who studied architectural theory, plans to work in advertising and will curate a pop-up Finnish design show this spring.
Heads up art fans. Walker Art Center will raise adult admission charges to $14, from $12, on March 14, coinciding with the opening of a show of Edward Hopper's drawings and paintings. Costs for seniors 65 and over will rise to $12, from $10, and for students with identification to $9, from $8. The previous charges were in effect since November 2012.
Admission to the Walker will still be free to everyone on Thursday evenings from 5 p.m. - 9 p.m. and on the first Saturday of each month.
"The adult admission of $14 is modest when compared to $20-$25 for other local museums and cultural institutions," said Ryan French, director of marketing and public relations in an email.
The Walker's general admission charge is the highest among metro area art museums. Admission to the Minneapolis Institute of Arts is free, although the museum frequently charges for special exhibitions like the current "Matisse" show for which tickets are $16 weekdays, $20 weekends. The Museum of Russian Art charges $9 admission. Both the Weisman Art Museum and the Minnesota Museum of American Art are free.
Between 60 and 65 percent of Walker visitors enter the galleries free, French said, because they come on free Thursdays or Saturdays or they use their ticket stubs for gallery access. Tickets purchased for films, performances or mini-golf games also admit visitors into the museum's exhibition galleries.
In the 2013 fiscal year, that free gallery admission would have amounted to about 160,000 people, or roughly 60 percent of the Walker's 264,244 visitors.
The museum's 6,400 members also get in free as do kids under age 18.
Admission charges at the Walker bring in between $350,000 and $450,000 annually, money that is used to help fund the institution's mission and programs, said French. The museum's finances are stable and there is no shortfall in the annual budget which was $19.2 million last year.
"The Walker is proud of its fiscal discipline having balanced its budget for 32 consecutive years," French stated. "Like other well-managed non-profits, we examine revenues and expenses regularly to make sure we're stewarding our resources responsibly."
Photo: Roy Lichtenstein sculpture returns to Walker Art Center in December, 2013. Star Tribune photo by Bruce Bisping.
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